The Patriot

This month marks 30 years since the release of Roland Emmerich’s Independence Day, a science-fiction blockbuster best viewed as the anti-Close Encounters of the Third Kind. Spielberg’s 1977 film suggested we would be better off finding common ground with extraterrestrial visitors; Emmerich’s more bombastic picture stuck to the (surprisingly Trumpian) idea that aliens were evil, wished to destroy our planet and must be resisted at all costs, preferably with nuclear weapons. It is not a subtle film, with the most fondly remembered moment coming in the famous shot when the White House is destroyed by an alien spacecraft.

You’re the director of one of the biggest blockbusters in recent memory. Your latest project premiers Fourth of July weekend: an American Revolution epic, headlined by one of Hollywood’s most bankable stars. What could go wrong? In 2000, Roland Emmerich did everything right with The Patriot. Robert Rodat, a veteran of Saving Private Ryan, wrote the script. The Smithsonian Institute consulted on historical accuracy. Mel Gibson, who had led the charge in Braveheart, was the star. He was also People’s ‘Sexiest Man Alive’. ‘The problem I have is people love me so much, they never criticize me,’ Gibson lamented in a cameo on The Simpsons in 1999. ‘It’s hell being Mel.’ Cinematic hell is where The Patriot remains.