The iliad

Two excellent books that offer new insight into The Iliad

The Iliad, Homer’s extraordinary epic poem, begins with Apollo, the god of light, zooming down from heaven “like night,” bringing plague to the Greek camp before Troy. Many days later, after the Trojan Hector’s funeral rites, the poem ends, at dawn. The light god brings darkness; dawn brings the doom of Troy. Such are the ironies that underpin the epic, revealing it as a work of supreme artistry, probably composed by one hand alone. For decades, I have lived in the light and shadow of The Iliad, reading it at first piecemeal in Greek, then in various translations, then all the way through in Greek (an experience both taxing and exhilarating). My Loeb edition, its prim English translation opposite the raw Greek, is never far from my side.

iliad

In search of the Iliad

A wooden horse, a fallen hero and Helen, the most beautiful woman in the world. These three things transformed a hillock in Asia Minor into a legendary city. Few places can conjure up such stories of love and loss, homesickness and heroism, gallantry and grief as Troy. Over 3,000 years after Homer wrote in The Iliad of the 10-year siege of King Priam’s mighty citadel, I’m standing on an unremarkable patch of scrubland in northwestern Turkey. This unpromising site claims to be the real Troy — the very spot where Zeus’s daughter Helen fled to make love to Paris; where the mighty Hector, the Trojan general, fell at the hands of Greek warrior Achilles; and where the giant Trojan Horse entered the city concealing Greek warriors in its wooden belly.

troy