Steve Martin

The third series of the hit comedy-mystery series Only Murders in the Building has arrived on Hulu, to the same critical acclaim as the previous two installments, and the adventures of Steve Martin, Martin Short and Selena Gomez show few signs of coming to an end. This time the trio are joined by none other than acting royalty Meryl Streep, playing Loretta, a plucky but frustrated actress who has never advanced to the big time, and Paul Rudd, the supposedly nicest man in Hollywood, deliberately cast against type as the obnoxious and entitled star of the show that Short is directing on Broadway, which he is hoping will restore his fortunes: a desire cruelly frustrated by Rudd’s character dropping dead on opening night.

No piece of art has ever affected me quite like John Candy’s face in Planes, Trains and Automobiles. It has made me cry for thirty-five years, rivulets of tears. It has shown me that nothing evokes loneliness like a face. John Candy's face simultaneously reveals warmth and fatalism (it's the face of a man who always feared he'd die young — and did). His unibrow is childlike and genuine. His smile is never fake. But Candy’s shower curtain ring peddler Del Griffith is smiling through pain. He’s hiding behind the mask of a gregarious family man and "best in the world" salesman (with a bowtie and bristly mustache). His smile hides a secret: Del Griffith is a grieving widower, and his home is inside an old trunk he carries around like luggage.

We live in an age in which everything sounds so grave. Our democracy is in peril! Covid numbers are going up! It’s a cause for rejoicing, then, that one of the best new series treats that most serious of subjects — namely, homicide — with such a deft and delightful touch. Hulu’s Only Murders in the Building, which was created by co-star Steve Martin and John Hoffman, expands the honorable tradition of the Thin Man series and Woody Allen’s Manhattan Murder Mystery, movies that used the murder-mystery format as a pretext for their sophisticated urbanites to poke around in other people’s residences and speculate wittily on who done it. The series wraps up its second season on Tuesday.

Cockburn never wants to criticize people for trying to be funny, even if they fail. He’s fallen flat on his own comedic face more than once so he knows the pain. But last night’s Saturday Night Live spoof on Fox News’s Tucker Carlson show missed the mark in several unfortunate and interesting ways. https://www.youtube.com/watch?v=Sld27PfAF3M&list=PLS_gQd8UB-hISSFxFTxdheRfIDH-XKBCi Let’s begin with what worked. Alex Moffat’s impersonation wasn’t too bad — his impression of Carlson’s ‘listening face’ was amusing, certainly. Moffat was also helped by Kate McKinnon, who did a brilliant and hilarious Wilbur Ross routine, and Cecily Strong did a pitch perfect Judge Jeanine. But the conceit was wrong.