Sebastian Faulks

I get up early and head to Liverpool Street. Meet Isabelle Ralphs and Amy Batley from Hutchinson Heinemann publishers and we take the train to Colchester, then a taxi to the giant Penguin Random House (PRH) warehouse, where I am to sign 3,000 copies of my new novel, Farewell to Eden. (I have already signed 3,000 loose title pages or ‘tip-ins’ at home.) Dave, the local PRH chief, brings in the wooden pallets full of books on a sort of fork-lift arrangement. Isabelle passes each one in from the left, I sign, and Amy, on the right, makes small piles which Dave shifts onwards and replaces with new piles taken from the pallets. Thus the stacked 10ft-long table in front of me remains ever full. I am the Sisyphus of rural Essex. To clear the table takes seven-and-a-half hours.

The job of radio critic for the Tablet offers several perquisites. One of them is access to the BBC previews website, and it was by this means, quite some time before its recent broadcast, that I was able to listen to Adrian Chiles’s Radio 4 documentary Finding Elgar. As a veteran of countless BBC radio documentaries and mindful of their sensitivity to the cultural issues of the day, I knew exactly what I would find, and there it was. Elgar, Chiles insisted, was an ‘outsider’ – lower middle class, a Catholic to boot, and marginalised and patronised by ‘the establishment’ until such time as his musical genius began to declare itself.