How to avoid bankers in your nativity scene
In the vast Benedictine monastery of Monte Oliveto Maggiore between Siena and Rome, the cycle of frescoes depicting the life of St Benedict by Giovanni Anionio Bazzi includes a charming self-portrait of the artist standing with a couple of pets at his feet, for all the world a 16th-century Italian Dorothy with a brace of Totos. (A detail of the painting is reproduced overleaf.) Bazzi did not earn his popular soubriquet of ‘Sodoma’ for nothing — though Vasari is not always reliable — but if his life was the scandalously licentious and dishonourable thing that Vasari would have us believe, then this only places him in the mainstream of the