Why New York is a city built on the written word
When I visited New York for the first time in a decade recently, one of its most famous living writers, Paul Auster, died on the day I arrived. This was not, I hope, anything to do with my presence in the city he spent decades memorializing; he had been suffering from terminal cancer for a considerable time. Yet as I sat at my desk at the first hotel I was visiting, the Frederick in Tribeca — a comfortable and well-located spot, let down slightly by its surly and unhelpful staff, but redeemed by stylish touches like a tiled map of nineteenth-century Manhattan built into the well-appointed shower — and started to write a tribute to Auster for our website, it made me wonder what, exactly, I was trying to find out about literary New York. Was I exploring its distinguished past?
