Patti Smith

Charismatic, powerful and raw: Patti Smith, at Somerset House, reviewed

From our UK edition

There are certain long-established rules for describing Patti Smith. Google her name and the words ‘shaman’ and ‘priestess’ and you’ll see what I mean. For the best part of 50 years she’s been treated as though she’s a mystical object, a human convergence of ley lines, as much as a rock singer. In the courtyard at Somerset House, she didn’t exactly discourage the clichés. There was a long lecture on the power of the full ‘buck’ moon, which was hidden by clouds but still prompted the people in front of me to pull out their phones to check astronomy apps. There was a lengthy hymn to William Blake that concluded: ‘And then the children, the chimney sweeps, remembered him.

Detroit detour

Detroit, Michigan A cowboy's work is never done, as Sonny Bono once croaked. (I interviewed Sonny shortly after he was elected to Congress in the Republican wave of 1994. He confirmed to me that Cher thought that the faces on Mount Rushmore were a natural formation.) Segueing from one Armenian American to another: when I lured my wife from the Chandleresque precincts of Southern California to the Edenic plains of New York’s Burned-Over District (“married an LA doll and brought her to this small town,” as John Mellencamp growled), she asked to visit two cities: Utica and Cleveland. Having made her dreams come true, as is my wont, I thought my work was done. But no.

Detroit