Patricia highsmith

Seventy-five years of Strangers on a Train

According to her own notebook, the idea for Strangers on a Train came to its author, Patricia Highsmith, in December 1945, while she was walking along the Hudson River in upstate New York with her mother, Mary Coates, and her stepfather, Stanley Highsmith. Given her fractious relationship with her mother, it is not surprising that the idea for a novel – two people swapping murders – came while in the company of the woman she thought of as her lifelong enemy. Divorced from Patricia’s father nine days before she was born in 1921, Mary spent most of her daughter’s childhood courting a new suitor, Stanley.

Highsmith

Ripley is not the edge-of-seat thriller you expect

At a time when most streaming shows front-load their first episode with all the drama, intrigue and titillation so that the audience will keep on watching, the opening of Steven Zaillian’s Ripley is almost comically counterintuitive. We see Andrew Scott’s Tom Ripley lugging a corpse down a flight of stairs, without explanation as to who he is or who his victim is, and then we begin the series proper, filmed (by There Will Be Blood cinematographer Robert Elswitt) in crisp black and white. Over the course of eight episodes, Zaillian follows Highsmith’s first Ripley novel, The Talented Mr. Ripley, reasonably closely, albeit with ornamentations and digressions. But if you had any expectation that this would be an edge-of-seat thriller, well, think again.

ripley