Ovid

I have to be honest: I’ve never been much concerned with what happened in the Grand Duchy of Lithuania in 1387. I suspect that may even be true for many Lithuanians. In Silence of the Gods, Francis Young pinpoints this year – of the conversion of the duchy to Christianity – as the official triumph of Christianity in Europe over paganism and idolatry. But he then goes on to examine the debris – and the survivors of paganism and their traditions in the northern regions of Europe. The first difficulty is defining and identifying paganism. The book is published by Cambridge University Press, so there is an unmistakably academic, seminar-ready, conference-hardened edge to the text.

A notable recent trend in popular history is the revival of interest in the ancient world. Mary Beard, Tom Holland, Bettany Hughes and Peter Stothard are just some of the historians whose books and television series have cashed in on our thirst for knowledge of distant forebears and their civilisations. Now Owen Rees joins the merry band with a strikingly original take on the subject. He argues that our interest in classical history focuses almost entirely on the Graeco-Roman world, specifically on the capital centres of those cultures. We therefore miss much of what was going on at the periphery of empires, with their vibrant cities and peoples.

When asked what it is we do, translators often resort to metaphors. We liken the act of translation to performing a piece of music, taking on a role in a play, kissing a bride through a veil or building bridges between cultures. But as the peerless Norwegian translator Damion Searls has said, when we sit down to work ‘there’s no metaphor at all really. The metaphors are just for interviews, or for talking with people about what translators do’. In this series of passionate, thoughtful essays, Jhumpa Lahiri uses metaphors, and more especially Ovid’s Metamorphoses, to explore the nebulous, almost ineffable nature of living between languages.