Odysseus

Yann Martel, the author of Beatrice and Virgil and Life of Pi, typically explores competing storylines, narrative reliability and the nature of truth. His new novel, Son of Nobody, pursues these themes in a first-person account written by a scholar who discovers a Greek epic. The narrator is a Canadian called Harlow Donne – a PhD student at a middling university. Offered an ‘unbelievable opportunity’ to spend a year at Oxford, he leaves home, his wobbly marriage and his young daughter. His doctoral supervisor repeats his habitual plea: ‘Just find something to say.’ He does. From ‘hints and scraps’ found at the Bodleian Library and the Ashmolean Museum, Donne stitches together and translates 30 fragments of a lost poem of the Trojan War.

Once upon a time there was a collection of stories that everybody loved. They involved brave heroes such as Perseus and Theseus defeating fearful monsters like Medusa and the Minotaur. Sometimes they used ingenious gadgets to achieve their goals, a bit like James Bond with his exploding pen. Sometimes they were helped by women who took a fancy to them. Some, like Icarus, failed. Others succeeded but still came to a sticky end – like Oedipus, who solved the riddle of the Sphinx but also killed his dad and married his mum. The point is that these stories were so old they came from a time before writing. There was no set text, so they could be adopted and adapted and take many forms.