New deal

How the right learned to love the state

These are dark days for free-market conservatives. A socialist, Zohran Mamdani, leads most polls in the race to become the next mayor of New York. The Republican President, meanwhile, is not only a “tariff man,” he’s lately been directing the federal government to take a stake in ownership of companies such as US Steel and Intel. Even before the rise of Donald Trump, the Republicans were increasingly becoming the preferred party of America’s working class. But before Trump, the free-market right could imagine the GOP’s blue-collar voters were only interested in social conservatism and wouldn’t demand a change in the party’s economic orientation. Now, things look very different.

Right

James Shapiro’s timely account of the rise and fall of an influential public theater

James Shapiro, a distinguished Shakespeare scholar, has turned his attention to the seeds of today’s culture wars in this fascinating, timely and deeply researched book. He unearths them in the demise of the New Deal’s Federal Theatre Project, brought down by a Red-hunting congressional committee. Shapiro’s is an unexpectedly gripping tale, as he exposes the “playbook” of the Texas Democratic congressman Martin Dies, a white supremacist and glory hound who seems to have settled on destroying the Federal Theatre simply as a means of boosting his profile, while also exploring the relationships between politics, plays and propaganda. The Federal Theatre was a utopian project of galactic size, of a kind which, in these days of funding cuts, now seems impossible.

Shapiro