Joe Exotic is an ordinary American
He is perhaps a little too fond of drugs and weaponry, but he has also overcome great personal misfortune
He is perhaps a little too fond of drugs and weaponry, but he has also overcome great personal misfortune
His existence throws a wrench in the narrative that the other America is a hateful land where Christians hunt homos for sport
Did the filmmakers’ hunger for retribution outweigh their commitment to tell the truth?
The world before woke
Too many Netflix true-crime documentaries are tiresome and overlong. This one was a lot worse than that
Medieval gore for millennial gamers
Netflix’s The Politician is satire without purpose
Top Boy reviewed
If the cap fits…
I loved every second of it
Why is politically correct comedy so depressing?
Would it not have led to a more meaningful narrative if the ‘monster’ the Russians had brought into being was in fact climate change?
It’s a Twilight Zone for Millennials
Russian Doll reviewed
On the surface, Ted Bundy was good-looking, normal-behaving and could be disarmingly charming
What possible contribution could this generation make to film or literature?
How else could a drama as knowing and meta and arch do anything other than disappear up its own bottom?
‘The rule in our household is: if a TV series hasn’t got subtitles, it’s not worth watching,’ a friend told me the other day. Once this approach would have been both extremely limiting and insufferably pompous. In the era of Netflix and Amazon Prime, though, it makes a lot of sense. There’s something about English-speaking TV — especially if it’s made in the US — that tends towards disappointment. Obviously there have been exceptions: The Sopranos; Band of Brothers; Breaking Bad; Game of Thrones. But too often, what’s missing is that shard of ice in the creative heart that drama needs if it’s to be truly exceptional. American drama is