#metoo

What’s wrong with hearing #MeToo men’s side of the story?

From our UK edition

‘There are two sides to every story’ is an aphorism you don’t hear often lately. Ask anyone amidst a family row: most stories have more than two sides. But in the take-no-prisoners world of #MeToo, there’s only one side. All women are victims and all women are truthful. Any man who’s had a shadow of doubt cast on his sexual behaviour since his first wet dream at 12 is deserving of permanent social and professional banishment and is forever forbidden from saying a word in his own defence. As the editor-in-chief of the respected New York Review of Books found out. Ostensibly Ian Buruma resigned, but resignation over your own dead body sounds awfully like ‘sacked’ to me. His fatal error, according to the usual Twits?

The Bible’s #MeToo problem

I write this on my last day in the Bagel, and it sure is a scorcher, heat and humidity so high that the professional beggars on Fifth Avenue have moved closer to the lakes in Central Park. Heat usually calms the passions, but nowadays groupthink pundits are so busy presenting fake news as journalism you’d think this was election week in November. Here’s one jerk in the New York Times: ‘The court’s decision was narrow…’ The decision in question is the Supreme Court ruling that a baker could refuse a gay couple’s request for a cake on religious grounds. The writer who described the result as narrow, one Adam Liptak (Lipgloss would be more appropriate), did not mention that the vote was seven to two. Talk about fake news.

‘I think The Kinks could have found a better frontman’: Ray Davies interviewed

‘I like your shirt today,’ Sir Ray Davies says to the waiter who brings his glass of water to the table outside a café in Highgate. ‘How’s your girlfriend?’ It turns out the girlfriend is no longer the girlfriend. ‘You broke up? You know, that happens. It’ll be OK. You’ll meet somebody else.’ He pauses and then says something that runs through my head for days after our interview. ‘She’ll meet somebody else.’ It’s true, of course; she will. And it’s a human thing to say: both parties to the relationship will move on. But it’s also delivered with a hint of claws. Who wants to be told, fresh from a break-up, that their ex will soon be hooking up with another partner?

‘I’ve got dementia in reverse’

‘I like your shirt today,’ Sir Ray Davies says to the waiter who brings his glass of water to the table outside a café in Highgate. ‘How’s your girlfriend?’ It turns out the girlfriend is no longer the girlfriend. ‘You broke up? You know, that happens. It’ll be OK. You’ll meet somebody else.’ He pauses and then says something that runs through my head for days after our interview. ‘She’ll meet somebody else.’ It’s true, of course; she will. And it’s a human thing to say: both parties to the relationship will move on. But it’s also delivered with a hint of claws. Who wants to be told, fresh from a break-up, that their ex will soon be hooking up with another partner?

High life | 21 June 2018

New York I write this on my last day in the Bagel, and it sure is a scorcher, heat and humidity so high that the professional beggars on Fifth Avenue have moved closer to the lakes in Central Park. Heat usually calms the passions, but nowadays groupthink pundits are so busy presenting fake news as journalism you’d think this was election week in November. Here’s one jerk in the New York Times: ‘The court’s decision was narrow…’ The decision in question is the Supreme Court ruling that a baker could refuse a gay couple’s request for a cake on religious grounds. The writer who described the result as narrow, one Adam Liptak (Lipgloss would be more appropriate), did not mention that the vote was seven to two. Talk about fake news.

The Spectator Podcast: the Diversity Trap

From our UK edition

In recent days, Lionel Shriver has been in trouble. Her criticism of the publishing industry’s diversity drive has led to her marked as a racist and even dropped from a literary judging panel. She argued that ethnic quotas harm rather than help diversity - is she wrong? As Robert Mueller’s investigation continues, several dodgy links to Britain have surfaced that could bring down Trump. And last, in the age of MeToo, is sex becoming sexier? Find out at this week's Spectator Podcast. Do quotas help or hinder racial equality? That’s the big question we’ve been asking at the Spectator recently. Since we published Lionel Shriver’s critique of Penguin Random House’s diversity drive, she has been labelled a racist and even dropped from a literary panels.

Bringing sexy back

Sexual intercourse, Philip Larkin famously wrote, began in 1963. And listening to contemporary commentators, you’d think that it came to an end in 2017 with the birth of the #MeToo movement. For these voices of doom, the end of the erotic is nigh; Britain is on the brink of sexual apocalypse. The recent news that Netflix has banned flirtation from film sets — along with lingering hugs, requests for phone numbers and extensive touching — is for these commentators just the latest example of #MeToo sexual correctness gone mad. They fear we are witnessing the making of a bland new world where the rules and regulations governing social relations between the sexes will become so oppressive that the very sexiness of sex itself will be snuffed out.

Corporate puritans want to kill off flirting

From our UK edition

Quite a long time, five seconds, when you count it. And ever since Netflix reportedly warned its employees not to stare at a colleague for longer than that, the paradoxical effect is, inevitably, to make you stare and count. The company’s new guideline is, of course, all part of corporate America’s response to the #MeToo scandal and if the Netflix directive is anything to go by, it’s going to result in the human race dying out in the US, because no one will be able to make a pass at anyone else, ever. It’s not that the individual prohibitions are onerous or particularly unreasonable; it’s that the collective effect can only be to make men – because it’s not aimed at women, is it?

Morgan Freeman and the troubling direction of #MeToo

The film awards season is over and Cannes has been handed back to wealthy holiday-makers, yet the #MeToo movement shows no signs of slowing down. Morgan Freeman is the most recent addition to the ignominious list of film producers, directors and actors who have had accusations of sexual harassment made against them since #MeToo took off in October last year. Allegations against the 80 year-old Freeman, star of The Shawshank Redemption, emerged last week on the day before Harvey Weinstein handed himself into police in New York on charges of rape. The charges against Weinstein are serious; he should stand trial and, if found guilty, face a lengthy prison sentence.

Lars von Trier’s latest film rightly resists the idea that art must be morally correct and inoffensive

From our UK edition

Danish director Lars von Trier is back at Cannes Film Festival, proclaiming that 'it’s all good – we had a little misunderstanding for seven years' and worrying that his new serial killer movie, The House that Jack Built, isn’t divisive enough. In fact, the reception of the film has indeed revealed an divide in the mentality of contemporary culture. More than a hundred members of the audience walked out in protest at the film’s première and a similar number did the same from the press screening this week. Nonetheless, Von Trier received a lengthy standing ovation on his arrival to the première, and those who stayed till the end acknowledged the film with demonstratively insistent applause.

Award for the most right-on awards ceremony goes to Cannes

From our UK edition

There’s nothing that screams 2018 feminism more than a bunch of celebrities holding hands on a red carpet. This year’s Cannes festival is the latest opportunity in a long string of awards ceremonies for the rich and famous to gain some brownie points. If there were an awards ceremony for the most right-on awards ceremony (please no one take me up on that), Cannes might well win. This year’s tote bags contained a flier emblazoned with #NeRienLaisserPasser (or, roughly, don’t let anything happen). ‘Let’s not ruin the party’ it said in French, warning attendees to watch their behaviour.

High life | 3 May 2018

From our UK edition

New York ‘What do we do with these men?’ thundered a New York Times headline. It was followed by a frothing-mouthed, overwrought hissy fit worthy of an Oscar in the overacting category. The men in question are the usual suspects: media people and Hollywood types who have been accused by the weaker sex of sexual harassment. Oh boy! Is this place going nuts or what? Spring is here, the girls are in their summer dresses — not really, they all wear leggings — and all one hears about is the bestiality of the stronger sex. The question is: who is next? The bookies are having a field day. ‘Under what terms should they be allowed to return to normal life?’ asks a female Times hack. As there is no American gulag, why not shoot the bastards and be done with it?

Artistic Munchausen’s

From our UK edition

Ella Hickson’s last play at the Almeida was a sketch show about oil. Her new effort uses the same episodic format ornamented with ‘meta-textual experimentation’ (i.e. plotless confusion). The central character is a brilliant young female writer who finds that all male theatre directors are boorish cynical greedy philistine racist sex pests. In Sketch One she meets a smarmy monster twice her age who tries to seduce her with the offer of a script commission. Sketch Two is a commentary on Sketch One, which turns out to have been a play within a play. Sketch Three shows the writer cohabiting with a loser who ‘sells football boots’. The loser has just bought a new sofa (with her money) and he baptises it with an enforced bout of loveless copulation.

Circe has been recast as the girl next door – it’s a sign of the times

When poor old battered Odysseus landed on Circe’s island having lost all his ships (except his flagship) when he tangled with the Laestrygonians (their king liked to eat Greek flesh and swallowed up most of his crews, yummy) Circe — witch, sorceress and goddess in her own right — turned the few survivors into swine, except for Odysseus, whom she wanted for some old-fashioned hanky-panky. If she were around today she would most probably be the first American female president. Odysseus serviced her rather well and stayed in her palace for a year. He also used the ‘moly’, the antidote Hermes had given him in the form of a magic herb that turned pigs back into men.

High life | 12 April 2018

When poor old battered Odysseus landed on Circe’s island having lost all his ships (except his flagship) when he tangled with the Laestrygonians (their king liked to eat Greek flesh and swallowed up most of his crews, yummy) Circe — witch, sorceress and goddess in her own right — turned the few survivors into swine, except for Odysseus, whom she wanted for some old-fashioned hanky-panky. If she were around today she would most probably be the first American female president. Odysseus serviced her rather well and stayed in her palace for a year. He also used the ‘moly’, the antidote Hermes had given him in the form of a magic herb that turned pigs back into men.

How the MeToo movement is affecting YouToo

From our UK edition

A well-placed source told me recently that late last year the BBC pulled plans to show the Oscar-winning film American Beauty on BBC1. Why? Because it stars Kevin Spacey, who had at that point just been accused of sexually inappropriate behaviour. Spacey, who is now seeking treatment for his problems, has not been convicted in court of any of the offences levelled at him but the BBC seems to have decided it must shield licence fee payers from works of fiction he has appeared in anyway. No film involving Spacey has been broadcast by the BBC – or any other terrestrial TV channel - for months. The same goes for Woody Allen. In 1992 he was accused of sexually molesting his adopted daughter, Dylan.

High life | 15 February 2018

From our UK edition

#MeToo! It happened right here, in Gstaad, last week. A man in his mid-fifties, about six foot tall and 165lb, grabbed me forcibly by the neck, pushed my head down, and then slid his hand between my legs. He continued to do so in a very dominating and aggressive way — he could have passed for Kevin Spacey, but with his own hair — pulling at my thighs, clawing at my chest, always drawing me closer and closer while breathing heavily on my neck. I couldn’t move my head, so I finally succumbed and lay back. He then stretched himself on top of me and held me tight. I had to give in. Yes, dear reader, however horrible it might sound to you — after all, I’m 81 — at times a boy has to surrender to superior force.

Why not ban artists who forget to feed their cats?

From our UK edition

Sometimes a picture — the big picture — is worth more than a thousand words. Consider this Art vs Artist, Part II. As #MeToo rolls inexorably on, the movement has scored another casualty, the wheelchair-bound, 77-year-old Chuck Close, whose reputation as a photo-realist had until last month been as immense as his paintings. Two women have come forward describing similar encounters with the artist in his Manhattan studio. Invited to pose for photographs, neither woman was forewarned that the modelling would entail nudity. One woman confided to the Huffington Post that in 2013 she resisted Close’s request to disrobe, but then complied ‘to be polite’. Close remarked — memorably, it must be said — ‘Your pussy looks delicious.

‘I was really, really scared’

‘Hi, it’s Jonas.’ When the great tenor rings from Vienna, I ask if there are any topics he wants me to avoid, such are his minders’ anxieties. ‘Ask anything,’ laughs Jonas. ‘I’m not shy.’ He is heading in from the airport to see a physio — ‘these concerts, you have to stand there all the time’ — before taking Hugo Wolf’s Italian Songbook on a seven-city Baedeker tour: Vienna, Paris, London, Essen, Luxemburg, Budapest, Barcelona. I wonder if he is aware that Wolf is a hard sell to English audiences. ‘Not just the English,’ he replies. ‘Even in Germany promoters say to me, please don’t do a Wolf-only recital, no one will buy tickets.