Masculinity

Monday

Amelia Butler-Gallie

Twenty-five years of Fight Club and American Beauty

Sound the alarm: hypermasc beefcakes all over the world have an anniversary to celebrate! Beware women, children and the effete, this year marks the twenty-fifth birthday of both David Fincher’s notorious psychodrama Fight Club, adapted from the debut novel by Chuck Palahniuk, and Sam Mendes’s equally notorious American Beauty, which has gone from Oscar-winning acclaim to being a punchline on chat shows and animated comedies alike. If you haven’t seen Fight Club, shame on you. Go to Hulu and binge away. Revel in its anarchic ludicrousness and head-to-head carnage; inhale the feculent atmospheres of Lou’s Tavern and Tyler’s dilapidated mansion house, all tied together through Fincher’s iconic desaturated color palette. It is all too easy to taste the blood, sweat and tears.

Fight Club

Friday

Ericka Andersen

The right’s dangerous embrace of Andrew Tate

Why are conservative media personalities like Tucker Carlson and Candace Owens embracing Andrew Tate, an online celebrity known for misogynistic commentary, alleged abuse of women and foreign charges of human trafficking?  Because Tate sometimes has agreeable things to say about the importance of masculinity in culture, they ignore the clearly inexcusable parts of his lifestyle. Both Carlson and Owens’s interviews were generally peppered with mild questions and meant to give Tate a positive platform.  With 7.4 million Twitter followers and billions of TikTok video views, Tate already has his own exponentially influential platform — one that targets legions of young men with a destructive message of narcissism, sexual prowess and obsession with physical appearance.

andrew tate

Monday

David Christopher Kaufman

What’s the media’s problem with black masculinity?

No experience in my many decades on this planet felt more degrading than being repeatedly referred to as “intimidating” by my former boss. As far as I know, the affluent, influential white women that I used to work with at Condé Nast lost their right to refer to their black male employees in such racially laden language long before the death of George Floyd. Especially when I was merely asking my (mostly white and female) underlings to simply do their jobs. I’m reminded of this charge every time I see a black man done up like a woman — which is seemingly all the time these days. Take Alex Newell and J. Harrison Ghee, who were awarded Best Actor statues at the Tony Awards in June, and both accepted them clad in colorful gowns and full makeup.

black masculinity

Monday

Alexander Larman

Napoleon heralds the return of the man’s movie

The trailer for Ridley Scott’s eagerly awaited magnum opus Napoleon has finally arrived — and it does not disappoint. Boasting what looks like another Oscar-worthy performance from Joaquin Phoenix, the trailer teases an intoxicating mixture of full-throttle battle scenes, executed and shot on a scale unparalleled in modern cinema, as well as insight into the complex psyche of the French emperor, to say nothing of his often-tortuous relationship with his wife Josephine (played here by Vanessa Kirby.)  https://www.youtube.com/watch?

napoleon

Friday

Ben Domenech

Phoebe Waller-Bridge is a franchise murderer — and Indiana Jones is her next victim

Phoebe Waller-Bridge must be destroyed before it's too late. The short-bob comedienne fond of wall-breaking and lazy edits has, in very short order, emasculated and destroyed multiple franchises thanks to the overwrought praise for her adaptation of her one-woman show, a descriptor that should itself elicit a bit of vomit in the back of the throat. Not content to politicize Star Wars as an irritating droid in Solo or to chop off the balls of James Bond in Daniel Craig's swan song whose name no one remembers, Waller-Bridge has now set her sights on a firmly American man to take down: Indiana Jones, whose fifth edition box office she will eradicate in spite of all the goodwill of these United States. https://twitter.

phoebe waller-bridge

Wednesday

Ben Domenech

Prince Harry and Andrew Tate are two sides of the same coin

On the face of things, there is little in common between Prince Harry and Andrew Tate. Yet look closer and you see two sides of the same coin: a narcissistic version of modern masculinity that warps what's actually important about manhood for the demands of an addicted audience. Tate is a juvenile accused sex trafficker, who believes his right as an HGH-fueled muscle man entitles him to a Conan the Barbarian Romanian fantasy of Bugattis, baby oil and bitches. Harry is a pussy-whipped blue blood who wields his grief gestalt as a weapon against all comers — be they media or monarchy. Tate's narcissism is more aggressive.

andrew tate prince harry

Thursday

Teresa Mull

Madison Cawthorn is right about metrosexuals on social media

Madison Cawthorn, the one-hit-wonder congressman from North Carolina who was defeated in his primary earlier this year, used his final address on the House floor yesterday to condemn “soft metrosexuals.” In the spirit of not kicking a guy when he’s down (Cawthorn will be gone by January), let’s cut him some slack and acknowledge that, melodramatic language aside, his speech made a valid point. Social media is to blame, at least in part, for weakening American culture. “America is weak,” Cawthorn declared. “Her sons are sickly, and her daughters are decrepit. Our country now faces the consequences of enabling a participation trophy society. We’re no longer the United States. We’ve become the nanny state.

Monday

Grayson Quay

Reclaiming the free and capable man

About two weeks after I graduated college, I realized I was pretty much useless. I was in North Carolina for a friend’s wedding, getting ready with the rest of the groomsmen, and I was having a hell of a time ironing my dress shirt. The shirt itself had an ungainly shape that I struggled to map onto the board, and each stroke of the iron seemed to create new creases. My mother handled the laundry at home, and in college I rarely had to dress formally. When I did, I’d transfer my shirts directly from dryer to closet, and that was usually good enough. Finally, I gave up and asked my friend John for help. John, a confident, capable guy who always made me feel inadequate, agreed.

jefferson education

Tuesday

Guy Shepherd

Time for Europe to man up

The End of History has ended. It officially ended with Vladimir Putin’s decision to invade Ukraine. Francis Fukuyama wrote The End of History in the early Nineties. It's a book that captures the optimistic zeitgeist of that decade — born of the fall of the Berlin Wall and the implosion of communism. The basic idea was that once communism faded away — the reality, not the ideal, which will forever exist in the minds of many intellectuals — the world would become a more liberal, democratic and commercial place. It was an argument with real legs. East Germany was digested by the West without a burp. The Baltic states prospered. Asia took off. A rising commercial tide lifted all boats.

sanctions putin russia davos oligarch

Sunday

Casey Chalk

What conservatives get right about masculinity

Conservatives are taking a lot of heat these days regarding masculinity. David French in a recent piece at The Atlantic criticized Josh Hammer, David Azerrad, and Donald Trump, among others, for promoting what French labels a false view of manliness — namely, one that is unafraid to speak unpopular truths regardless of the consequences. It is a farcical “Trumpist toughness” that “treat[s] Twitter as their Omaha Beach.” Washington Post columnist Christine Emba, meanwhile, recently mocked Republican Senator Josh Hawley for being a “champion of masculine virtue” but failing “to engage more deeply on the level of policy and ideas.

trump

Wednesday

Damian Reilly

Masculinity isn’t toxic – corporate moralizing is

The first thing that astonishes about Gillette’s effort to alienate an entire customer base in a single two-minute slickly produced virtue signal is the arrogance. The unblinking temerity of a brand believing it’s somehow its duty not merely to make an appeal for commercial inclusion, but rather to instruct millions of people on how to lead their lives. If the ideological vacuum left by the decline of Christianity in the West really is being filled with a rush of competing forces, then surely we can view Gillette’s ad as consumerism’s most blatant effort yet from the pulpit of modernity to claim the hearts and minds (and souls) of the lumpen masses.

toxic masculinity

Tuesday

Paul Rowan Brian

The desperate pursuit of woke capital

It was really only a matter of time before a men’s shaving company began virtue signaling about #MeToo and toxic masculinity. Welcome to the brave new world of ‘woke capital’ – Gillette and their cringeworthy ad is just the latest example. Their short film, which basically plays on familiar denunciations of guys as insufficiently sensitive, is all about showing how much Gillette cares about making the world a better place that is an absolute utopia full of neutered men. Of course, Gillette does not seem to care so much about...treating their workers with basic decency, but...details. Gillette is far from alone in their attempt to showcase their exquisite dignity and compassion.

gillette woke capital