Mary beard

Tuesday

Tibor Fischer

The secrets of the Booker Prize

From our UK edition

How do you win the Booker Prize? I have no idea. Get in touch if you do. I’ve been shortlisted and longlisted and served as a Booker judge, and while there are certain perennial features that would tempt you to make a wager on outcomes, there’s enough random wildness to make it interesting. This year’s Booker longlist of 13 titles was described by the chair Mary Beard last week as ‘something for everyone’. Maybe those with a fetish for lesbian boxing dramas set in 1920s San Francisco will feel let down, but it is fair to say this year’s longlist covers a lot of ground. The announcement of the longlist always launches a thousand whines because even if you can manage something for everyone, something isn’t enough for most observers. Too little of this, too much of that.

Thursday

Jonathan Meades

A familiar OE-led balls-up: Rory Stewart’s The Long History of Ignorance reviewed

From our UK edition

In my next life I intend to have my brain removed in order to become a telly executive. You know: ‘where ignorance is bliss/ ’Tis folly to be wise’ (Thomas Gray, OE). Such ignorance is a state which, happily enough, Rory Stewart, OE and a fully tooled-up Mob from rent-a-thinker (what one of those executives, without a hint of irony or faint praise, once called ‘television intellectuals’) are just now kicking around in the hope that they may rehabilitate it and release it from its sty of obloquy. Rory is a very keen type – what used to be called an all-rounder – and, despite his protestations otherwise, he is untouched by the piggiest ignorance, and addresses his audience and contributors with the zeal of a scoutmaster.

Wednesday

Melanie McDonagh

A mess: British Museum’s Feminine Power – the Divine to the Demonic reviewed

From our UK edition

The point at which the heart sinks in this exhibition is, unfortunately, right at the outset. That’s where we meet the five commentators that the British Museum has invited to respond to the objects and ideas in the exhibition. But only Mary Beard knows her subject. There’s Bonnie Greer, playwright and critic; Elizabeth Day, podcaster and novelist; Rabia Siddique, humanitarian (that’s a calling, it seems) and barrister; and Deborah Frances-White, podcaster and stand-up comedian. Each presides over part of the exhibition, which is ordered by categories such as Passion and Desire and Magic and Malice. It’s an odd exercise.