Marshall McLuhan

The return of animism

There is a wave of books asking how social media platforms shape the stories we tell about ourselves and, through that shaping, what new kind of self they are producing. Megan Garber’s Screen People argues that the language and ethos of entertainment have permeated every aspect of life, so that we now see each other as characters in an ongoing show whose continuity we are responsible for maintaining. Kathryn Jezer-Morton’s The Story of Your Life, out in August, makes the related case that algorithmic platforms have disciplined what counts as a shareable experience into what Jia Tolentino’s blurb calls a rigid, optimized, phone-shaped norm. I haven’t read either yet, but I’m willing to bet they’re basically right.

Revelling in illusion: the French sociologist-cum-philosopher who hit peak absurdity back in 1991

From our UK edition

‘What is he talking about?’ Marine Baudrillard would sigh whenever she read her husband’s work. Anyone who has studied for an arts or a social-science degree over the past few decades will know what irked her. A sociologist-cum-philosopher’s prose is to thought what mud is to a windscreen. ‘There is no more hope for meaning,’ Jean Baudrillard wrote with unconscious exactitude in Simulacra and Simulation. ‘This is a good thing: meaning is mortal. Appearances, though, are immortal, invulnerable to nihilism. This is where seduction begins.’ In their admirably brief critical biography, Emmanuelle Fantin and Brian Nicol praise Baudrillard’s writing for its ‘enigmatic verve’. One might as well commend Bruckner’s 8th for its enervating brevity.