Karl Urban

The Boys is empty shock value

Some shows, like Game of Thrones, are only great so long as they stick to their source material. Others succeed by respecting the lore and cannon of a beloved novel or comic, but tell an original story in that universe. HBO’s Watchmen is the pinnacle example of this; however, the first season of The Boys may be the only show that succeeded precisely by not being like its source material. The Boys comics shares Watchmen’s premise of exploring an alternative reality where superheroes are real; but whereas Alan Moore considered this premise richly, and opposed the concept of superheroes on philosophical grounds — against the worship of power and great man theory of history —  that isn’t so for Garth Ennis.

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This month in culture: June 2024

The Fall Guy In theaters now Ryan Gosling’s career is rather bizarre if you think about it, from drippy romcom protagonist in The Notebook to brooding car noir hero in Drive to laughable failure in The Nice Guys to musical star in La La Land and Barbie. Now he takes a stab at renewing his hardass ways in The Fall Guy, an adaptation of Lee Majors’s 1980s series which pairs him with Emily Blunt and is, in a way, an homage to the careers of “stars who do their own stunts” even if Gosling does not do so himself. There’s even a stunt show planned for Universal Studios’ Hollywood theme park based on the movie, prior to its release.

culture

Cartoonish deaths, dark humor and the worst British accent since Dick Van Dyke

The Boys (Amazon Prime) is a superhero series for people who hate superheroes. That's me all over, which is probably why I've loved every moment of four episodes I've seen so far. It's based on a comic book by Garth Ennis (Preacher; Punisher) who also hates superheroes. 'Personally, not having grown up with superheroes, I find them completely moronic,' he said in a recent interview I could only access by having to use a VPN hider to pretend I wasn't in the EU (seriously we can't leave that overregulated dump soon enough). And: 'The notion that the medium I work in is dominated (and, sadly, defined) by such a stupid genre is not one that feeds my sense of idealism.' Ennis claims to object to superheroes on moral grounds: they are glibly escapist and ignore the world's real problems.

the boys