Jacques Derrida

‘Theory was cool. Theory was French. Theory was also, strange though it might sound, sexy.’ When Emily Eakin first encountered ‘theory’ as a Harvard undergraduate in the 1980s, it marked the start of an obsession, intense as a love affair. She wasn’t the only one. For the Anglophone world, France has long represented a style of thinking that is just that: stylish. It’s not for nothing that an estimated three million American tourists flock to the boulevards of Paris each year. The place is synonymous with glamour in its most alluringly intelligent form.

When I met Brian Dillon in February 2023, he seemed to have a lot on his mind. We had arranged to speak about Affinities, the newly published final instalment of Essayism, his sprawling three-part survey of literature, art and aesthetics. That morning, as he sipped decaf coffee in a quiet corner of the Barbican Kitchen café in London, he still didn’t know what his book was about. ‘At this point you don’t,’ he confessed. But even though he hadn’t made up his mind about Affinities, Dillon had already begun to think about his next project. It was to be a memoir of his education, called Ambivalence. This has now come to fruition.