Interview

Web exclusive: Extended interview with David Cameron

From our UK edition

We interview David Cameron for today's issue of The Spectator. Here's an extended version of that interview for CoffeeHousers: The most striking thing about David Cameron is how well rested he looks. You wouldn’t guess that he was the father of a ten-month-old baby, let alone Prime Minister. He has no bags under his eyes — unlike his staff. He also seems relaxed. He jovially beckons us in to his Downing Street office and then flops down into one of the two high-backed chairs and urges one of us to take the other: ‘the Chancellor’s chair’, he calls it, with a chuckle. The last time we interviewed him, during the general election campaign, he was a different man, tired and tetchy.

Coffee House interview: Mark Sedwill

From our UK edition

Diplomats are often seen as stuffy characters from a different century, men who often appear lost in today’s chaotic world. Nobody could be further from that caricature than Mark Sedwill, the former British ambassador in Kabul and outgoing NATO Senior Civilian Representative to Afghanistan. For more than a year, Sedwill has been, first, General Stanley McChrystal’s right-hand and, more recently, the civilian counterpart to General David Petraeus. Since he took up his ambassadorial post in Kabul, after a stint as Deputy High Commissioner in Pakistan, few Britons have had as much influence on NATO’s strategy as him.

Put a sock in her

From our UK edition

For once, I am in total agreement with Nigel Farage: the best way for Sally Bercow to help her husband is to take a vow of silence. Her recent Cleopatra act diverted attention from the persistent indignity of parliament’s relationship with IPSA, but it has done little to raise the diminutive Speaker’s diminutive reputation.   Flushed with embarrassment, Mrs Bercow spent most of Friday afternoon insisting that the Evening Standard had distorted her. She went into yummy mummy mode, confiding to Twitter that she was baking cakes for her son’s lunch box – nice rather than naughty.

Interview: Goodies’ triple triumph

From our UK edition

Here in HMV on London’s Oxford Street, three comedians are signing autographs. Here in HMV on London’s Oxford Street, three comedians are signing autographs. The queue of fans stretches through the foyer, almost out on to the street. Nothing unusual about that — this record shop regularly stages personal appearances by Britain’s biggest stars. What’s so surprising is that these comics are in their late-sixties, and the show that they’re promoting hasn’t been on TV for nearly 30 years. As The Goodies autograph their new DVD (a compilation of vintage shows, rereleased to mark their 40th anniversary) their greatest hits are replayed on a giant screen above their heads. Yet this isn’t just nostalgia. These old clips still feel fresh and funny.

Brown struggles on beyond the crash

From our UK edition

Today's Guardian calls it his first interview since leaving office, although I think the Independent beat them to that one back in July. But, in any case, Gordon Brown's chat with Larry Elliot is another staging post on his slow path back to public life. Here's my quick summary: 1) Sniping from the moral high ground. A bit late now, but Brown is making a desperate scramble for the moral high ground. Not for him, he says, scurrilous memoirs that sift through the "arguments" of the past. No, he's got far more important things on his mind than muck-raking and innuendo, like the future of financial regulation across the world. Or has he? It's hard not to see barbs mixed in amongst it all. Take this line from the interview: "I am a full-time MP, not a businessman.

Anthony Whitworth-Jones: Garsington on the move

From our UK edition

When is a country-house opera not a country-house opera? When it no longer has a country house attached. This is what is about to happen to Garsington Opera, which is moving, lock, stock, barrel and picnic basket, from the exquisitely planned and intimate gardens of the Bloomsbury-redolent Garsington Manor near Oxford to the wide-open rolling hills of the Wormsley Estate in nearby Buckinghamshire. The move is a change and a challenge that the company’s general director, Anthony Whitworth-Jones, seems thoroughly to relish. ‘It’s enormously exciting,’ he says.

The folly of ambition

From our UK edition

Andrew Lambirth talks to the artist Keith Coventry about drawing inspiration from Sickert, Churchill and Ladybird Books Keith Coventry has no time to visit the two lap-dancing clubs that lurk a few doors down from his studio, a small room with barred windows in a light-industrial block in the East End. Here, he puts in long hours, often forgetting to eat in his total immersion in the act of putting paint on canvas. He grudgingly admits to being a workaholic. This is where he painted ‘Spectrum Jesus’, which two months ago won him the £25,000 John Moores Painting Prize, one of the most prestigious accolades in the art world. Winning the John Moores does not guarantee immortality — not much does, except perhaps genius — but it can make a difference.

Interview – Tomas Alfredson: outside the frame

From our UK edition

Without warning, Tomas Alfredson jumps up and starts wading about the room like a water bird treading over lily pads. ‘There’s a famous sketch by a Swedish comedian,’ he explains by way of a voiceover, ‘in which he’s walking through a meadow of tall grass. He’s walking, struggling through this grass that reaches up above his waist.’ Alfredson pushes out at imaginary foliage around his midriff. ‘Then he steps out into a road and you realise that — all that time — he wasn’t wearing any trousers. Completely naked from the waist down.’ The mime stops as suddenly as it started. ‘That is the cinema of paranoia!