Hyde park

Wednesday

Andrew Lycett

The imaginative genius behind the Great Exhibition

From our UK edition

If you want to understand Victorian Britain, look to the Great Exhibition of 1851. At a time of unprecedented technological change and international rivalries, this event gathered the finest art and the latest manufactured goods from around the globe and displayed them for almost six months to more than six million visitors in the magnificent Crystal Palace on the southern perimeter of London’s Hyde Park. Its success generated a profit of £186,000, or around £20 million today. The aim was not simply spectacle; in the spirit of the age it was also pedagogic. So this sum was used to buy 86 acres of fields and market gardens in the adjacent suburb of Brompton, where new institutions could be built to further the broad objectives of the Royal Commission behind the exercise.

Tuesday

Alexander Larman

How to tour London like a royal

The next time you arrive at London’s Heathrow Airport, you might be forgiven for wanting a welcome fit for a king. Yet under the now nearly three-month-old reign of King Charles III, there is a persistent rumor that Buckingham Palace, that symbol of the British monarchy since its acquisition by America’s favorite monarch George III in 1763, is going to pass out of private hands and into public ones. There has been talk of its being turned into a giant permanent art gallery and museum, showing off treasures from the Royal Collection Trust. There's even chatter of — and I can hear the gasps from here — its being transformed into a five-star hotel. You, too, can pay an exorbitant amount of money to sleep where kings and queens have trod.

Monday

Isabel Hardman

Cold water swimming

The woman on the path has come to a dead stop. She’d been shuffling along in that bunched-up posture we all developed when we bought smartphones, a two-fingered salute to the millennia of evolution that managed to pull humans into an upright position. Now she’s staring, open-mouthed, at her surroundings. I rather enjoy the shocked faces of passersby who catch sight of us swimmers at the Serpentine Pond in Hyde Park in our flimsy suits as we lower ourselves into the cold water each morning. I look still more shocking when I get out. My skin turns from its normal skimmed-milk color to bright neon, as though it has been slapped. And it has in a way: when you first enter water thats barely above freezing, you do get a shock.

swimmers

Tuesday

Esther O'Reilly

An interview with Hatun Tash, the Christian preacher stabbed at Speakers’ Corner

From our UK edition

Hatun Tash is recovering well after being assaulted at Speakers’ Corner in Hyde Park last month. The attacker, who is still at large, appeared to aim for her neck, but Hatun deflected the knife so that it broke off in the folds of her clothes. Her bandaged right hand and scarred forehead are the only visible clues of her near escape. She tells me she started watching footage of the incident but couldn’t bring herself to finish. ‘All I can say is, it wasn’t my time.’ She speaks with the calm of a woman who has faced death before. In May, a mob surrounded her screaming for her blood. Last October, she was punched in the face.

Thursday

Michael Hann

Paul Simon says farewell with a daring and inventive show

Early in 1987, a middle-aged woman approached me on the record counter of the Slough branch of Boots. ‘What do you have by Ladysmith Black Mambazo?’ she demanded. Nothing. Boots in Slough wasn’t big on South African isicathamiya choral music. ‘Well,’ she suggested, ‘you really ought to get their records in. They’re going to be huge.’ She was wrong, but I knew why she was so sure. Ladysmith Black Mambazo had been among the standout guests on Paul Simon’s Graceland, released a few months before. Graceland made Simon, by my reckoning, the first pop star who had emerged from the rock’n’roll era to make a major cultural impact across three decades. By the 1980s, the Stones had become just a touring machine.