Homosexuality

Nigel Farndale’s diary: The dread moment when they announce next year’s school fees

Next time I’m in a sauna I’m going to say: ‘It’s like a school sports hall on prize day in here.’ As the mothers fanned their faces with the programmes, one of the other fathers, Her Britannic Majesty’s Ambassador to Uruguay, leaned forward and whispered: ‘Rookie error, mate. Should have worn a white shirt.’ He was right. I was wearing a blue one, which meant I couldn’t take off my linen jacket. My interest in hearing from the headmaster about the school’s successes on the sporting field began to wane after the first three hours. I’m pleased for the Under 11Bs hockey team and all they achieved back in February, but given the humidity I think it would have been kinder if he had stuck to the highlights.

What Fresh Lunacy is This?, by Robert Sellers – review

Midway through this startling book, Robert Sellers asks himself a question with such apparent seriousness I barked with laughter: ‘Was Oliver Reed an alcoholic?’ A more pertinent enquiry would be: ‘Was the man ever capable of drawing a sober breath?’ What Fresh Lunacy is This? is the monotonous chronicle of a nasty drunk whose ‘explosions of pissed aggression’ filled every waking hour, culminating in a deranged session, while filming Castaway in 1986, when he attacked an aeroplane. Reed would gulp 20 pints of lager as a way of limbering up. He’d then switch to spirits and the cycle of fighting and carousing would begin.

Backing Into the Light, by Colin Spencer – review

Colin Spencer first came to my notice in the Swinging Sixties when a fellow undergraduate alerted me to his larky romp Poppy, Mandragora and the New Sex, the first novel since Woolf’s Orlando to treat of transexuality. It was published in 1966, two years before Gore Vidal’s Myra Breckinridge, and I associated Spencer with the ‘sexual allsorts’ group around the publisher Anthony Blond at that time. But he didn’t build on it and seemed to fade away. Now I know why: he never quite knew what he wanted to be — gay or straight, a family man or a rover, a writer, musician, painter or horticulturalist. The next time I came across him he was married to a friend of a friend and living in a Regency cottage in Hammersmith, writing food articles for the Guardian.

Complete Poems, by C.P. Cavafy – review

Constantine Cavafy was a poet who fascinated English novelists, and remained a presence in English fiction long after his death in 1933. When E.M. Forster lived in Alexandria during the first world war, he got to know Cavafy — and essays, a celebrated exchange of letters and a guidebook by Forster resulted. Cavafy haunts Lawrence Durrell’s Alexandria Quartet, which shares with the poet an aesthetic of the transfixed gaze, of remote history running under everything. Robert Liddell wrote a restrained, elegant life of the poet — oddly dismissed by this translator, Daniel Mendelsohn, as ‘workmanlike.

Gay sympathy for Cardinal Keith O’Brien

Were you to try to identify the sort of journalist least likely to feel sympathy for Keith O’Brien, I suppose you’d place near the top of your list a columnist who was (a) an atheist, (b) especially allergic to the totalitarian mumbo-jumbo of the Roman Catholic church, (c) gay, and (d) a strong supporter of the coalition government’s plans for same-sex marriage. If so, this columnist regrets to disappoint. The downfall of the former Archbishop of St Andrew’s and Edinburgh has come to pass at least in part because he did not mince his words. I admire such people. As to O’Brien’s homosexual behaviour and the charge of hypocrisy… well, to that in a moment. Keith O’Brien’s career has been distinguished by simplicity of expression.

‘Fanny and Stella: The Young Men Who Shocked Victorian England’, by Neil McKenna – review

Mick Jagger, the Danny La Rue of rock, impersonates a woman on the cover of the 1978 Stones album Some Girls. Vaudeville performers in the Jagger mould love to put on lipstick and ‘false bubbies’ (as Neil McKenna calls them). Boy X-Factor contestants, with their shaved eyebrows, diamond earrings and nails lovingly manicured, present an almost Gloria Swanson-like image of adornment. Perhaps it is merely romantic to suggest that the stylised wigs and gowns worn by our bishops and high court judges also have a homoerotic component. The former Pope Benedict XVI’s ruby-red pumps were nothing compared to the faux ermines worn in the House of Lords.

Long life | 28 February 2013

Eight years ago I was in Rome for The Spectator to write a piece about the election of a new pope after the death of John-Paul II. Within two days, and after only four ballots, some wispy white smoke emerged from the little chimney on the roof of the Sistine chapel. The College of Cardinals had made its decision and chosen the German Cardinal Joseph Ratzinger to be the 265th occupant of the throne of St Peter. He was already 78 years old and said to be longing for speedy retirement from his taxing job as Prefect of the Congregation for the Doctrine of the Faith, the oldest of the great Vatican departments (once popularly known as the Holy Office or the Inquisition).

Finding Mr Wright

The film When Harry Met Sally may be infamous for the scene in which the heroine mimics orgasm in a crowded café, but the real point of the story is a question: can a man and a woman ever be true friends, or must sex always get in the way? Jack Holmes and His Friend poses the equivalent question about a straight man and a gay one. If it’s made into a movie, the working title will surely be When Harry Met Gary. Homosexual writers seem to be much better than straight ones at combining high literary style with vastly enjoyable descriptions of really filthy sex. Edmund White is a master of both. This novel is like one from the French 18th century, where passages of intricate social comedy alternate with carnal episodes of Baroque detail.