George orwell

How corporate twaddle makes us less productive

Bandwidth is troubling, because it’s just one of many phrases that assume we are mere cogs in the machine Allow me to totter onto my rickety soapbox for a second, and say: business jargon has gone too far. Buzzwords have become so entrenched into working life that they have, in effect, become a second language. One that, like a much-needed laxative, we are forced to digest to keep daily operations running smoothly. If you don’t use (or at least nod energetically along with) phrases like “low-hanging fruit” or suggest that someone “circle back” so that you can “create synergy,” and instead choose to communicate like an unlobotomized person, you’ll find yourself a virtual pariah.

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Leith

Examining children’s literature and its enduring worth

My first reaction, on tipping this vast compendium — soaring toward 600 pages — out of its padded bag onto the kitchen table, was straightforward envy at the thought of anyone being paid what, you infer, was quite a reasonable sum of money to spend several years on the intoxicating trail of the children’s book. My second was intense curiosity over the procedural approach employed, which is to say that there are a variety of well-worn pathways into the heart of the genre; it would be fascinating to see which ones Leith, the literary editor of The Spectator in the UK, had chosen to follow. The first path, exemplified by Francis Spufford’s 2002 The Child that Books Built, involves writing a memoir that broadens out into a consideration of the form as a whole.

‘LinkedIn speak’ is a disgrace

The past few years have seen a slew of devastating style assaults on the English language known as "LinkedIn speak." You know the type of word salad: "synergize" instead of "combine," "ideated" instead of "thought of," "holistic" instead of – well – looking at something as a whole. Alarmingly, there is now an app, Kagi Translate, that allows you to type any sentence and it will deliver it for you in this wretched patois. For instance, write "I went to the zoo," and Kagi gives you: "I had an incredible opportunity to observe high-performing teams in a diverse ecosystem and reflect on the importance of adaptability and strategic positioning." Go on, try it.

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Life lessons from George Orwell

It was the British political journalist Jason Cowley, writing in London’s Sunday Times a month or two back, who posed a query calculated to strike terror into the heart of any self-respecting Orwell-fancier. Were we, Cowley wondered, with the air of one who tosses a Sèvres vase into the air to watch it descend into heap of fragments, approaching peak Orwell? Was the man in whose voluminous output so much of modern political and sociocultural malaise has been refracted losing his sheen? Some Orwellians – myself included – on hearing this would probably respond with a rather handy Latin phrase: si monumentem requiris, circumspice, which loosely translates as, “If you want evidence, buster, then take a look around.

Mamdani’s People’s Republic of New York

Proudly displayed in the window of my local Barnes and Noble are copies of a children’s book called Zohran Walks New York. It’s a graphic novel that shows our city’s new perma-grinning mayor meeting residents who are overwhelmingly happy to see him. A more instructive text for the children of Park Slope was tucked away in the corner of the basement: Animal Farm. I bought it for my 11-year-old daughter at the weekend. She’s into dystopian novels.  More people will become hooked on state benefits and more staff will be needed to shove piles of cash towards them I thought of Orwell’s allegory of the Russian revolution this week when our mayor threatened to increase property tax to pay for his huge $127 billion budget.

America’s free-speech war on the EU

If I were a bookie, I would be making odds now about when the European Union will finally unravel and die. Unless there is an imminent and drastic course correction, the blessed event cannot be far off.  I might need a Doomsday Clock akin to the one publicized by the Bulletin of the Atomic Scientists. Their clock hovers near midnight, which signifies nuclear Armageddon, the minute hand pushed closer or farther away from the blast depending on minatory world events. My clock would measure the EU’s proximity to implosion. Its recent decision to fine Elon Musk and his company X €120 million for “non-compliance with transparency obligations” has me nudging the minute hand closer to midnight. “Non-compliance with transparency obligations.” What do you reckon that means?

The pleasure in not knowing

A few years ago, the podcaster Lex Fridman published a list of books that he was hoping to read in the year ahead. It included works by George Orwell, Fyodor Dostoyevsky, Hermann Hesse and others. If he had published this in the world of print media he might have got back some encouraging noises. But because he put the list online – worse, on the platform then still known as Twitter – he received mostly mockery. “Who hasn’t read Animal Farm?” was the general tenor of the blowback, as though a man who had been a researcher at MIT was next to being a Neanderthal.

douglas knowing

Ukraine’s Foreign Legion was doomed from the start

From our UK edition

It seems that people would rather fight for a death cult than a democracy. At most, 15,000 foreigners have fought in Ukraine over the past three years. By contrast, an estimated 35,000 foreign fighters joined Islamic State, despite the risk of prosecution when they returned home. Why have so few westerners joined up, given that Ukraine’s Polish border is just a £50 Ryanair flight away? The answer is that despite having a master showman like Volodymyr Zelensky as its recruiting sergeant, Ukraine’s International Legion was a disorganised shambles from the start. Zelensky announced the Legion’s creation just three days into the invasion. ‘This is the beginning of a war against Europe,’ he said, ‘against democracy, against basic human rights.

The brilliance of BBC Alba

From our UK edition

During lockdown, a friend and I moved into a flat that had a difficult relationship with the TV aerial. Ineptitude and laziness combined to ensure that the only channels we were able to watch were BBC ones via the iPlayer app. So most nights – if there was no live sport – we found that our entertainment was at the behest of the state broadcaster. And what a drag it was. Every time, we’d reject the populist crap on BBC1, the parochial crap on BBC2, the braindead crap on BBC3, the boring crap on BBC4, the insane crap on BBC News, the wrist-slashing crap on BBC Parliament. And then we’d get to the end of the nav bar, to see one option left, and my flatmate would put on a Scottish accent and say: ‘Alreet, what’s on Alba?

The curious allure of ‘cosy crime’

From our UK edition

Just a glance at the cast list tells you everything you need to know. Netflix’s adaptation of Richard Osman’s cosy crime sensation The Thursday Murder Club stars Dame Helen Mirren, former James Bond Pierce Brosnan (as well as a former Bond villain Sir Jonathan Pryce), the Oscar-winning Sir Ben Kingsley and the gold-plated national treasure Celia Imrie, alongside a supporting line-up which includes David Tennant and Richard E. Grant. Released today in selected cinemas before landing on the streaming service on Thursday, the film has an awful lot of talent for what appears at first glance to be a mash-up of One Foot in the Grave and Hetty Wainthropp Investigates.

Culture clash: Sympathy Tower Tokyo, by Rie Qudan, reviewed

From our UK edition

Language, it has been said, is the only true democracy – changed by the people that use it. But as with any democracy, there is plenty of disagreement about what alterations are either possible or permissible. Japanese uses three distinct writing systems – kanji, hiragana and katakana – and the relationship between two of them, kanji and katakana, is a key theme of last year’s prizewinning speculative fiction Sympathy Tower Tokyo by Rie Qudan – a lyrical, witty, satirical but meditative and meticulous text, now published in Jesse Kirkwood’s vibrant and faithful English translation. We are in the sprawling metropolis of Tokyo in the lightly altered mid-2020s.

Imperialism still overshadows our intellectual history

From our UK edition

Peter Watson begins his survey of the history of ideas in Britain with the assertion that the national mindset (which at that time was the English mindset) changed significantly after the accession of Elizabeth I. His book – a guide to the nature of British intellectual curiosity since the mid-16th century – begins there, just as England had undergone a liberation from a dominant European authority: the shaking off of the influence of the Roman Catholic church and the advent of the Reformation, and the new opportunities that offered for the people. He describes how a culture based largely on poetry and on the court of Elizabeth then redirected the prevailing intellectual forces of the time.

A war of words: circulating forbidden literature behind the Iron Curtain

From our UK edition

If James Bond, now in American hands, re-emerges refreshed as an agent of the CIA, then it will be a homecoming of sorts, given that his creator played a role in drawing up the blueprint for America’s first foreign intelligence service. In May 1941, Commander Ian Fleming sat down in Washington with Colonel William (‘Wild Bill’) Donovan to sketch out an agency modelled on British naval intelligence. Under Donovan’s stewardship, this became the Office of Strategic Services and, in 1947, the CIA. The two men got on well and were not afraid to try things that had not been tried before.

Carry on Kafka: this is our Brave New World

From our UK edition

An ex-copper who blogs as Dominic Adler – not his real name – came up with a good phrase this week to describe where Britain is heading under this increasingly authoritarian regime: ‘Like North Korea, but run by David Brent.’ It echoed my own attempts to sum up the atmosphere in Keir Starmer’s Britain in a WhatsApp exchange with Allison Pearson. I described Essex Police, who recently dispatched two hapless officers to the journalist’s door to question her about a year-old tweet, as ‘a cross between the Keystone Cops and the Stasi – Carry On Kafka’.

The classroom panopticon

Is it ironic to give a prize for encouraging “open discussion and debate in the classroom” and “creating an environment where all perspectives can be heard” in the name of William F. Buckley Jr.? Although best known today as the founder of National Review and longtime host of Firing Line, Buckley first came to prominence in 1951 with the publication of his book God and Man at Yale, subtitled: The Superstitions of “Academic Freedom.ˮ Buckley’s secular and secularized Protestant critics might well have considered the firmly Catholic young man, twenty-five years old at the time the book appeared, an apologist for something they regarded as superstition. But Buckley did not mean the term as a compliment when he applied it to academic freedom.

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What will become of George Orwell’s archives?

From our UK edition

The news that a vast cache of material by and concerning George Orwell is about to be cast to the four winds in the wake of a corporate sell-off has stirred predictable fury among Orwell buffs. As in all the best literary rows, the contending roles seemed to be clearly defined from the outset. There were the heroes (Orwell and his many acolytes); there was a principal villain – the publisher Hachette, which had decided to unload its archive, only to find that no single bidder could meet the asking price; there was the agent of their devilry (more about him in a moment); and even some subsidiary baddies, in the shape of a clutch of rare book dealers who are now hard at work flogging off the individual lots.

Falsifying history can only increase racial tension

From our UK edition

For many years the academic sociologist Frank Furedi has been among the strongest conservative voices in the front line of the culture wars. The target of his latest book is the systematic campaign to discredit the history of the West in the interest of a modern political agenda. The vandalising of statues, the ‘decolonisation’ of institutions and curricula, the recasting of museums and the rearrangement of libraries are all symptoms of something more fundamental. Furedi argues that historical memory is the foundation of western identity and culture. The object of the campaigners is to discredit the West’s ideals and achievements.

Tall tales of the Golden East: the fabulous fabrications of two 20th-century con artists

From our UK edition

Have literary deceit and spiritual self-invention ever been this entertaining? The question arises on almost every page of this galloping exposé of two men who were exceedingly relaxed about not telling the truth throughout their professional lives. They would have called it ‘storytelling’. Those who questioned the reliability of their often outlandish claims were dismissed as academic nonentities. One minute Ikbal’s journey across the Middle East was 15,000 miles, the next it was 25,000 miles Sirdar Ikbal Ali Shah was the great-grandson of Jan Fishan Khan, a 19th-century Arab nobleman who had supported the British in Afghanistan and been rewarded with an Indian title, palace and pension.

Apple downplays the value of human achievement

In January 1984, Blade Runner and Alien director Ridley Scott shot an Apple computer Super Bowl commercial mocking Orwell’s Nineteen Eighty-Four — and it changed the television advertising landscape forever. It featured a woman in a white tank top and bright red shorts destroying a monochrome screen with a sledgehammer. This week, Apple CEO Tim Cook promoted a new ad titled “Crush” that gave the exact opposite message and led to a furious backlash on social media. The ad begins with lights coming on in a factory setting with cultural items and artifacts stacked on top of each other, all gathered on a giant industrial press. Then the press begins to lower as a Sonny and Cher song plays.

1984 on Audible is a deliciously chilling immersion experience

Forty years on from the year in which it is set, and released on the date of Winston Smith’s first diary entry, George Orwell’s seminal dystopian novel Nineteen Eighty-Four (not 1984, despite how this most recent retelling has chosen to style the title) has received perhaps its highest-profile adaptation since Michael Radford’s film. Andrew Garfield plays the reluctantly rebellious Winston, and man-of-the-moment Andrew Scott is a smoothly vicious O’Brien. Cynthia Erivo makes for a suitably feisty Julia, and Tom Hardy reprises his Bane boom as Big Brother, although his contributions are wisely kept to a minimum.

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