Gender

The true villains of our TV crime dramas? The creators

Idly watching the first episode of a TV crime drama series recently, I found myself in a slightly troubled frame of mind. We were already 35 minutes in and no probable villain had shown their face. We had seen black people, Chinese people, lesbians, the disabled, the impoverished and powerless, Muslims, the young and idealistic… yikes, I thought to myself, it simply can’t be any of them, can it? Surely not. And then, as if the scriptwriter had heard my private worries, for lo, a very rich, marble-mouthed white woman emerged and was shown being beastly to some young and idealistic people and I thought: bingo! We have our villain.

The economic purge of the young white male

I can remember when I first realized that something strange was happening to white men in Hollywood. It was around 2014, and my younger colleagues in LA – often British writers, directors and actors who had moved to California to “make it” – began reporting, anecdotally, that their work was disappearing. By that I don’t mean the normal vicissitudes of a volatile creative industry. I don’t mean actors “resting” or scripts getting stuck in “development hell.” I mean that all jobs, and job opportunities, were abruptly vanishing. Applications went nowhere, résumés were binned, hopeful meetings were suddenly canceled. And white men in Hollywood in their twenties or thirties, who had assumed they

white