A vibrant, partial look at Gabriele Münter
Recognition can be late in coming for many artists, but perhaps especially so for women whose originality and talents too often become overshadowed by their more famous romantic partners. Museums are often eager to put on shows making this very argument as women artists are rediscovered. Sometimes the thesis succeeds; other times, it does not. The latest of these is the case of the German artist Gabriele Münter (1877-1962), whose reputation, until recent decades, rested less on her own body of work than on her long-time connection to her mentor and lover, the Russian expressionist Wassily Kandinsky (1866-1944). The Guggenheim Museum’s exhibition, Gabriele Münter: Contours of a World, attempts to