Del Toro’s Frankenstein deserves the big screen
Still, it’s a relief that Netflix, for all its faults, is bankrolling work as individual and striking as this
Still, it’s a relief that Netflix, for all its faults, is bankrolling work as individual and striking as this
The documentary claims the Saudis were behind 9/11 – and the CIA then protected them
It is a grand, multifaceted masterpiece of badness
Above all, Reiner proves his vim and vigor by the very quality of the film
I turned to film to re-enchant myself with the city in which I live
The shock and awe is done – the details are not
‘It won’t be long,’ says Yonatan Dor, ‘before screen actors are a thing of the past’
Everything is a dolly shot of dolled-up people in a doll’s house
The Lone Star State is coming for the big, bright jewel of cultural capital
It’s easy to forget that there was nothing inevitable about the film’s long-lasting success
The numbers don’t lie: they’re as popular as ever
The Brutalist represents a Christopher Nolan-esque swing for the big leagues
There is much more to the cinematic treatment of the ‘song and dance man’ than A Complete Unknown
What to watch this March
Stanley Kubrick’s 1975 picture was ridiculed on release. Fifty years later, it is considered a masterpiece
The melding of truth and fiction is both culturally limiting and the kind of dangerous terrain which breeds conspiracy theories and fake news
What to watch this February
What to watch this month
The appeal with a film like this is not in its plot twists, but in watching a piece of generic Christmas-themed schlock done very well
Why did the Being There writer’s life come to resemble a fairground rollercoaster?