Feminist

Loretta Lynn’s music celebrated tough wives

Country music superstar Loretta Lynn died last week at the age of 90. Many in the media are remembering her as a feminist and several of her songs as feminist anthems. Yet Lynn herself said, “I'm not a big fan of Women’s Liberation, but maybe it will help women stand up for the respect they’re due.” It’s not surprising that the left wants to claim Lynn as one of their own — she was a badass and extremely successful. But in listening to her music and digging deeper into Lynn’s life, I’ve come to view “The First Lady of Country Music” not as a typical man-hating feminist, but rather as someone who was proud of the heritage that made her a tough woman and who wanted to use her remarkable musical gifts to uplift millions of women who shared her experiences.

Why can’t a woman be a man?

Sex and gender were supposed to be allies in the identitarian march of the feminist left. But gender, it appears, keeps butting up against the reality of sex. "I will say this and everyone's gonna hate me,” singer Macy Gray recently told Piers Morgan, “but as a woman, just because you go change your (body) parts, doesn't make you a woman, sorry.” (She subsequently apologized for her comments.) Bette Midler also elicited censure for her recent tweet: "WOMEN OF THE WORLD! We are being stripped of our rights over our bodies, our lives and even of our name!" (She later qualified that her comments were not intended to be “transphobic.”) Women, generations of feminists have been telling us, are supposed to be powerful. They’re supposed to be capable.