Electronic dance music

Addicted to Addis

This article is in The Spectator’s March 2020 US edition. Subscribe here. In the Entoto hills high above Addis Ababa, the lights of incoming Ethiopian Airlines planes are evenly spaced in the night sky. Behind me in an abandoned restaurant, the DJ cranks it up and the dance floor goes nuts. EDM (Electronic Dance Music), a style popularized at American festivals and raves, has landed in Ethiopia. I’ve been a dance music devotee since college. But when I first visited Ethiopia in 2000, I lost my heart to a different scene: mesinko-playing troubadours who mask political satire in witty innuendo, the hypnotic melodies of Ethio-jazz bands and the traditional shoulder-shaking of iskista dancers.

addis ababa ethiopia

Luke Perry and Keith Flint: Gen X-ers from the Lost Age of the Nineties

‘I’m going to be linked with him until I die,’ said Luke Perry of Dylan McKay, the character Perry played in Beverly Hills 90210. He was right. On Monday, Perry tested his theory to its conclusion by dying aged 52, following a massive stroke.To late Gen X-ers now in our early forties, Perry is forever pickled in the aspic of 1990. Dylan McKay was a Diet Coke-swilling, James Dean for the MTV generation. In the very first episode of Beverly Hills 90210, he rode into the zip code of the stars and their servants astride a motorbike, wearing an unseasonably warm leather jacket and an oiled quiff that gleamed in the California sun. And there he stayed, at least in our imaginations.

generation x luke perry keith flint

My secret love of Electronic Dance Music

When I heard the breaking news that one of Electronic Dance Music’s most popular DJs has resolved to make dance music ‘more fun and more inclusive’, I groaned. Must politics invade dance music as well as every other aspect of modern life? I’ve been listening to EDM almost daily for years. The genre is maligned for its repetitive, mechanized sound, and its reliance on Auto-Tune, but it’s also surprisingly complex and various — diverse, one might even say. It’s true that EDM is often the soundtrack of drug-fueled club raves, but do charges of elitism and homogeneity really hold up in the sober light of dawn? EDM emerged in the 1980s.

steve aoki edm