Drugs

I’ve just returned from five days in the Lake District, attending the biennial ‘Friends of Coleridge’ conference in Grasmere. All the other attendees were seasoned Coleridge scholars, but I was a newbie. The reason for my going was the fact that I’m engaged in a project that has at times felt something of a lonesome road and indeed an albatross: to write a book about Coleridge’s ‘The Rime of the Ancient Mariner’. The poem comes to us with a vast undertow of explicit and implicit cultural and historical baggage, from its self-conscious antiquarian roots in late medieval ballads to its engagement with more currently pressing concerns of environmentalism and how we navigate the story of colonial expansion.

Last year, the Proms had a ‘Northern Soul’ special concert; and Benjamin Myers won the Goldsmith’s Prize for Cuddy, his polyphonic novel about St Cuthbert’s afterlife. I do not think he will win the prize again this year for Rare Singles, his novel about Northern Soul. I am glad about the Prom though, since I knew very little about the music; and listening to it did not appreciably deepen my enjoyment of this novel. Sentimentality is not a bad thing per se, but it is a difficult genre to do well, and Myers doesn’t do it half badly. The central figure is Earlon ‘Bucky’ Bronco, an elderly American widower wracked by pain, whose musical career comprised two singles, one barely released and both largely forgotten.

In 1876, writing to his friend Gertrude Tennant, Gustave Flaubert set down a principle that artists and writers should live by: Soyez réglé dans votre vie et ordinaire comme un bourgeois, afin d’être violent et original dans vos œuvres. (Be regular in your life and ordinary as a bourgeois, in order to be violent and original in your work.) The life of the English poet Thom Gunn had its disciplined aspect (he managed to hold down a job at least), but, overall, it was so dedicated to debauchery and excess that it’sa wonder it lasted as long as it did. The story, told in detail by Michael Nott, makes even the least censorious reader sometimes wonder why this seemed like a good idea. Gunn was born in Kent in 1929 to an upper-middle-class intellectual family.

‘The Cally’s named after an orphanage for kids from Scotland or some shit. Didn’t we learn that in school?’ So says Big Pharma (real name Devan Swaby), drill rapper from the Cally Active gang – one of the many characters populating Andrew O’Hagan’s vast and riveting Caledonian Road. The novel opens with a 59-strong cast list, representative of contemporary London society. At the heart of this web, spanning aristocracy, gangs and trafficked migrants via an oligarch and the middle-classes, are the celebrity art historian Campbell Flynn and his student and hacker protégé Milo Mangasha. As with the Cally and its links far beyond the capital, so O’Hagan demonstrates that his characters’ connections reach across the globe.

‘If any journalist asks you about the Beatles because you’re from Liverpool, say you hate them and you don’t listen to that old crap.’ Such was the advice that the DJ Roger Eagle, promoter and founder of the legendary (and there really is no other word for it) Merseyside punk club Eric’s, dispensed to a young Ian Broudie in the late 1970s. Little could either have imagined that almost simultaneously John Lennon, over in New York in the Dakota Building, was busy demo-ing ‘Now and Then’. It was a song which would resurface as the final Beatles single and top the charts some 40-odd years later, aided by a form of AI technology that possibly only members of Dalek I, the Wirral’s wackier answer to Kraftwerk, could have dreamt of back then.

Some years ago, the Harvard psychiatrist Leon Eisenberg commented that, in the course of his lifetime, his discipline had swung from the brainless psychiatry propounded by psychoanalysts to the mindless psychiatry of those enamoured of biological reductionism and neuroscience.  Camilla Nord, who runs a neuroscience laboratory at Cambridge, is firmly a member of the latter camp. Though in a few places in The Balanced Brain she is driven to concede that social factors seem to play a role in mental health or mental distress, she immediately insists that ‘the process by which social factors are able to cause mental illness is entirely biological’.

Thirty years ago, I worked for a while in a shop in Soho selling vintage newspapers and magazines. The holy grail for some customers might be the 1955 Playboy featuring Bettie Page or the 1976 Daily Mirror with the Sex Pistols’ ‘Filth & the Fury’ headline. But those of a born-again Mod persuasion were usually looking for 1960s publications with the Small Faces on the cover – preferably the August 1966 copy of the teenage music and fashion bible Rave, showing Ronnie Lane and Steve Marriott from that most style-conscious of bands, complete with a double-page poster of the group inside.