David Pryce-Jones

The Spectator’s Books of the Year 2020

Our turkeys were stuffed and now we are too. Reclining helplessly in the recovery position, our thoughts turn to feasts future. What better way to show your friends and family that you love them, and also that you have impeccable taste, than sending them a book? In The Spectator’s stocking-stuffing December issue our staff, writers and friends make their seasonal suggestions for Books of the Year: stack upon stack of the most riotous reads, bibliographical beauties and pandemical page-turners. P.J. O’Rourke The Decline and Fall of the Roman Empire, Volume I, by Gibbon, because in this year of scourge and collapsing polity it seemed apposite. And only Volume I, due to reader fatigue after 582 pages and the shift in Volume II to the history of Byzantium.

books of the year 2020

My debt to Royaumont

As ruins go, Royaumont is as good as any. French roads also being what they are, Royaumont is about 45 minutes from Saint-Denis, the cathedral in Paris where the kings of France are buried, and perhaps 20 minutes from Chantilly, where as much English as French is spoken on the racecourse. Beginning his reign in the 13th century, King Louis IX chose Royaumont as the site of one of the Cistercian abbeys he was building. Dying while on crusade in North Africa, he probably never saw what was reputed to be the most magnificent of all Cistercian abbeys in the whole country, the rival of Mont Saint-Michel or Fontevrault. Royalty notwithstanding, the Vatican singled him out for canonization.

royaumont

Dedicated to literature

The convention is that if you happen to meet authors and have just bought or acquired a book of theirs, you ask them to sign it. Particularly stuffy authors might refuse, but in most cases they feel flattered and duly inscribe your name and theirs on the title page or the flyleaf of the book in question. If the mood is right, they may add ‘with best wishes’ or something of the sort. At a superficial level, of course, such signatures are only the equivalent of an autograph album. There’s more to it than that, however. Added value perhaps, but association certainly. The human race lives by the stories we tell ourselves about our identity and our purposes, and that signature helps to make the author’s story part of the reader’s story.

signatures david pryce-jones