David gilmour

The many shades of Pink Floyd

The English rock band Pink Floyd was founded 60 years ago in Cambridge. Reading two new books about them, it struck me how much time and place matter to their story. Now in their eighties, the surviving members remain a product of the milieu in which they were formed: middle class, semi-boho, comfortably numb. First they moved to London; then to the outer reaches of the cosmos. After that they circled the planet for decades, recollecting the emotions of their youth in both tranquillity and anger. You can take the multi-million-selling, emotionally repressed space cadets out of Cambridge… Broadly speaking, five different businesses have traded under the name Pink Floyd.

An uncompromising master: David Gilmour, at the Royal Albert Hall, reviewed

It doesn’t matter which dictionary you consult, they all agree on what a song is: words, set to music, that are sung. Yet it’s also an entirely inadequate description, since there are so many types of song. Take David Gilmour and Neil Finn, both men of passing years who like to switch between electric and acoustic guitars, both backed by plenty of singers and kindred instrumentation (though Finn didn’t have a pair of harps on stage with Crowded House), both playing music largely rooted in the late 1960s, both offering lightly mind-bending songs. Yet this misses something crucial. Because, of the 23 songs that Gilmour performed – from both his

A joy – mostly: Nick Mason’s Saucerful of Secrets, at Usher Hall, reviewed

Drummers are patient chaps, in the main. Think of Ringo in Peter Jackson’s recent Beatles docuseries, Get Back. Lolling around peaceably for days on end as Lennon and McCartney bash about, looking for clues. Drummers twiddle their thumbs behind their kit while the musos fret over chords and key changes, waiting for the moment when they will be called upon to hit skins with sticks and make a song worth hearing. In 2018, admirably urbane Pink Floyd drummer Nick Mason finally lost patience. The band has effectively been finished since 1994, and following the death of keyboardist Rick Wright in 2008, Mason was caught between Roger Waters and David Gilmour,

Bringing up Benzene: Charlie Gilmour adopts a magpie

One day a baby bird falls from its nest into an oily scrapyard in Bermondsey, south London and seems unlikely to survive. As the writer Charlie Gilmour and his set-designer fiancée Janina (Yana) find themselves scrutinised by the tiny creature’s ‘gemstone eyes’ they become caught up in an unexpected urge to save the fledgling’s life. As part of the unglamorous, much maligned, even feared Corvid species, Charlie’s foundling magpie, with its sinister ‘undertaker tails’ is not an obvious pet. And yet Charlie has ‘never felt so seen by an animal’. Growing out of this strange first encounter is a magical book of exhilarating complexity, the story of blood, bird shit,