Dance music

The death of the mainstream band: Black Country, New Road reviewed

From our UK edition

Twitter was awash with mockery last week, after Adam Levine, the singer of the American group Maroon 5, was interviewed on Apple Music and told Zane Lowe: ‘It’s funny, when the first Maroon 5 album came out there were still other bands. I feel like there aren’t any bands any more, you know?’ Out came the outraged, citing their favourite bands with fanbases numbering in the dozens. What about the fertile deep sludge scene based around Pimple Nose Records of Butt Wipe, Montana, eh? Then there were the K-Pop stans, demanding BTS — a seven-piece vocal group who, had they been formed in England in the 1990s, would clearly have been a boyband — be recognised as functionally equivalent to the Rolling Stones (there’s no moral judgment there, BTS stans.

Proudly ridiculous and wholly glorious: KLF’s Solid State Logik reviewed

From our UK edition

Grade: A What a miracle the KLF were: an elaborate practical joke at the expense of the music industry, seemingly both wholly cynical and completely sincere, who for a short period at the start of the 1990s bestrode the singles charts like a novelty colossus. A reissue of their greatest hits album wouldn’t seem cause for celebration — doesn’t the world have quite enough singles collections? — but the nature of the KLF’s disappearance (they burned a million quid and deleted their entire back catalogue) makes this unexpected reappearance a bit of an event. These are hit singles that fizz with silliness in a uniquely British way.

Livestream-hopping is just as irritating as being at a real festival

From our UK edition

The ghost of Samuel Beckett oversaw the Hip Hop Loves NY livestream last Thursday night. Time and time again its host, the veteran hip-hop TV presenter Ralph McDaniels — known to all his guests, unnervingly, as ‘Uncle Ralph’ — tried to connect to some Golden Age legend. Time and time again, his attempts at a straightforward interview went wrong. We saw Uncle Ralph, on one half of the screen, ask a question about Covid-19, nod along to the answer, then say, ‘Thank you, doctor.’ But we didn’t have a doctor on screen, or on our audio. We had Ice T. ‘I ain’t no doctor,’ Ice-T said. Cut to Nas. But Nas was inaudible, and his picture was breaking up. ‘I see Chuck D!’ He did, but we didn’t.

Luke Perry and Keith Flint: Gen X-ers from the Lost Age of the Nineties

‘I’m going to be linked with him until I die,’ said Luke Perry of Dylan McKay, the character Perry played in Beverly Hills 90210. He was right. On Monday, Perry tested his theory to its conclusion by dying aged 52, following a massive stroke.To late Gen X-ers now in our early forties, Perry is forever pickled in the aspic of 1990. Dylan McKay was a Diet Coke-swilling, James Dean for the MTV generation. In the very first episode of Beverly Hills 90210, he rode into the zip code of the stars and their servants astride a motorbike, wearing an unseasonably warm leather jacket and an oiled quiff that gleamed in the California sun. And there he stayed, at least in our imaginations.

generation x luke perry keith flint