Cooking

If you’ve stuck out my cookery writing for long enough, you’ll know that I am a bit of a Labrador when it comes to different dishes: greedy, ready to try anything, and likely to enjoy it. Food is where my general cynicism and air of ennui gives way to unbridled enthusiasm. There are very few dishes that, when done well, I won’t chalk up in the ‘good’ column. For a long time, crème caramel was the exception to that rule. To be fair, my experience of it had been limited: childhood self-catering holidays in northern France meant that my introduction to the crème caramel did not show it at its best.

When it comes to home cooking, we’re obsessed with optimisation. Today this manifests itself in reels on Instagram offering a ‘hack’ to make the time you spend in your kitchen shorter and your dinner to arrive more quickly. Harder, faster, better, stronger. None of this is new: there was a time when every Jamie Oliver cookbook shaved ten minutes of the promised cooking time off the last. Delia Smith’s How to Cheat at Cooking caused a public outcry (can you believe she advocated for frozen mashed potato?). The whole appeal of air fryers is that they’re fast, and while slow cookers don’t exactly get to their destination quickly, they do so with as little intervention as possible from the cook.

Ihad a culinary revelation this week. I like to think I’m an egalitarian when it comes to food – I like beautiful, fancy restaurant stuff and home-cooked one-pot dishes, I like punchy, in-your-face flavour, and subtle, softer flavours. I love trying new-to-me dishes from around the world, and I love the comfort of eating suppers my grandma would make. You can put virtually anything in front of me and I’ll be thrilled. But as I contemplated this week’s recipe subject, I realised that I avoid foods that ooze. Doughnuts splurging out their jam, uncontainable ice-cream sandwiches, croissants or Danish pastries with custards or compotes that blob onto my clothes. Even really juicy stone fruit or a particularly ripe soft cheese makes me nervous.

We all did mad things during the first Covid lockdown. For some it was getting a dog or starting up a microbakery. For me, it was signing up for a NVQ Level 2 in butchery. I’m still not quite sure how it happened, but, once the schools reopened, I spent my Tuesdays in a cold butchery store in east London, socially distanced from my septuagenarian master butchery tutor, who would teach me how to break down whole carcasses, the art of seam butchery and the trick to linking sausages.

‘It’s just a hot dog bun with icing!’ the iced-bun detractors will shriek. I’m a lady with a lot of opinions about fairly esoteric foodstuffs, many of them declamatory, immovable, or strident, but I do not understand taking against the iced bun. I’m not sure what awful bakery-based trauma must have happened to you during childhood to make iced buns the target of your ire, but they are undeserving. For anyone not a self-proclaimed detractor, iced buns (also called Swiss buns or iced fingers) prompt reveries: forgotten childhood memories of plump buns in trollies and sticky fingers holding grown-up hands.

She was doing a postgrad course in a town by the sea, and a strange thing happened to us one afternoon. On the quayside we saw lobsters being sold from a trestle table. Only one of them remained and I squinted at it, close up. The sharp oval claws, like holsters, had been bound in elastic bands to stop them nipping customers. It seemed a small-minded precaution. These imposing pincers were cumbersome and useless on dry land. But in the sea, with the water’s buoyancy to give them mobility, they would be swift and lethal weapons. Yet the lobster-catcher had neutralised them with a pair of turquoise bands. What for? The beast was already defeated, plucked from its natural habitat by a giant human being, and yet the victor was fearful of the tiniest nip from his prisoner’s claws.

‘Sometimes, in the search for originality, the most obvious dishes are forgotten,’ says Elizabeth David, the doyenne of cookery, in her book French Provincial Cooking. I often think of this phrase when I’m writing about vintage cookery. So much of food (and food writing, and writing, and media, and life) is trend-driven. It’s all about novelty. I look at the handwritten list of my planned vintage recipes – ‘chocolate mousse, custard slice, beef olives???’ – and have to acknowledge that my particular wheelhouse is anything but original. I try, though, to hold David’s words close: those ‘obvious’ dishes are known for a reason. And their familiarity is part of their appeal. David was writing, specifically, about oeuf mayonnaise.

Dissonance is necessary around Easter. Fluffy lambs and chicks are everywhere: on cards and decorations, in countless chocolate forms and adorning every Easter-adjacent craft, toy or activity. But, of course, we also traditionally serve roasted lamb or chicken on Easter Sunday. In some part, this is simply seasonality. We associate gambolling lambs and new chicks with spring. But that apparent seasonality is also something of an untruth: lamb, particularly, is not actually in season at Easter. I know, I know, as soon as the days start to brighten, our green and pleasant lands are filled with sentient woolly fluff wobbling about on little legs. But those cartoon-like lambs are far from ready for market.

There’s an inherent pleasure in having something by heart. Poetry at school. Lines in plays. Song lyrics. The things that stick tend to be those that we had by rote when we were young. We get out of the habit, and our gears don’t move as smoothly. When I was at pâtisserie school, we were expected to memorise countless different base recipes – crème pâtissière, brioche, pâte brisée, pâte sablé, pâte sucrée – and our termly theory exams required us to regurgitate these formulae. I spent hours learning the ratios and the quantities, the steps and techniques, convinced I would have them down pat for evermore.

I am not in the habit of bringing viral TikTok recipes here. It is a safe space, away from digestive biscuits submerged in yoghurt masquerading as cheesecake, baked oats, or sugary instant coffee whipped up like foam (if you don’t know what I’m talking about, ignorance is bliss). No, here we are in the realm of tried-and-tested vintage recipes. So why am I letting marry me chicken into this sacred place? For the uninitiated, it first popped up a decade ago on an American food website called Delish, but it became the most-searched recipe on the New York Times in 2023. It’s a simple concept: chicken cooked in a creamy, tomatoey sauce that is so delicious that the person to whom you serve it will get down on one knee.

The British hold a steamed pudding close to their hearts. Like a culinary hot-water bottle, it may not be terribly elegant but it’s hard not to feel comforted and delighted by its presence. Most, however, follow a similar formula: a sponge cake mixture that is steamed into ethereal lightness and topped with a gooey, drippy sauce. This isn’t to decry them: I could never be fatigued by the spongy similarity of a golden syrup pudding and a bronzely glistening ginger one but they all come from the same sponge playbook, so I was intrigued to find one that doesn’t fit the mould.

‘That’s not a pasty!’ my husband declares loftily, eyeing up what most definitely is a veritable clutch of cheese and onion pasties emerging from my oven. Handsome, puffed up, golden brown (the pasties, not the husband), filled with a cheese, potato and onion filling, contents threatening to splurge. The steam rises from them like in a cartoon, almost beckoning us towards them. ‘Oh, OK,’ I reply, sweetly. ‘I shan’t trouble you with them.’ He backtracks. No, no, perhaps he was hasty. What did he know about pasties? Shouldn’t he just try them anyway?

Roast potatoes shouldn’t be complicated. We’re talking two ingredients, plus some salt and maybe herbs if you’re feeling fancy. It’s just shoving some parboiled potatoes in a hot oven, right? Yet I can count on one hand the number of times that I’ve had a decent roast potato in a pub or restaurant. Bad ones are to be found all over the place. I don’t just mean school dinners, mass-catering, hospital-canteen potatoes here. The most carefully prepared Sunday roasts at charming establishments feature beautiful melting meat and thoughtfully cooked veg, all sitting alongside miserable roasties. Clammy. Dark brown. Soft (but not in a good way). A waste of a good potato. No one doesn’t like a roast potato; they’re practically our national dish.

I used to be a Christmas pudding denier. I couldn’t see the attraction of a dense pudding made mostly of currants; frankly, I’d rather have a trifle. Of course, I was wrong: I was judging Christmas pudding by poor examples, those that sat on the edge of a Christmas lunch tray at school or were half-heartedly doled out by other pudding sceptics (I’m looking at you, Mother). My conversion came about thanks to a party – a Christmas pudding party. Not a party for eating Christmas puddings but rather one where the guests made Christmas puddings. It was hosted by my friend Kate and I went along out of love for her, rather than love for the pud. Under Kate’s keen eye, and following her great-granny’s recipe, we creamed kilos of butter and sugar in a big plastic tub.

In Robert Louis Stevenson’s Treasure Island, when Ben Gunn is found by Jim Hawkins, sunburnt and wide-eyed after three years of being marooned on the island, the first thing he asks Hawkins for is cheese: ‘Many’s the long night I’ve dreamed of cheese – toasted mostly.’ As a greedy person prone to daydreaming, I’ve often wondered what my ‘cheese – toasted mostly’ would be. A dozen oysters? A cold negroni in a fluted tumbler? A perfect quivering soufflé? I think it’s gravy. That’s my desert island dream, the idea I can’t shake, the touchstone I’d return to. I’d take gravy in any form: thick and rich, made from meat scraps, a thin, boozy jus whisked up from pan scrapings, even the ‘from granules’ stuff, stirred in a plastic jug moments before serving.