Charlie chaplin

The ups and downs of making Chaplin

The commission Thirty-four years ago, in the summer of 1990, I had a call from my Hollywood agent, Geoffrey Sanford. Lord Richard Attenborough, the film director, would like to meet me to discuss a project. I said “Yes, please,” instantly. The timing was good — I had delivered my fifth novel Brazzaville Beach to my publishers and was awaiting its autumn publication. I met Dickie, as everyone called him, with his co-producer and right-hand woman, Diana Carter, in Blake’s Hotel in west London. The subject of the meeting was a proposed film of the life of Charlie Chaplin, a passion project of Dickie’s. But there was a complication. A script had already been written by Dickie’s old friend, the actor-director-producer Bryan Forbes.

Chaplin

A Best Stunts Oscar is long overdue

It looked like it was finally going to happen. At last night's Academy Awards, after a fun back-and-forth with Emily Blunt, Ryan Gosling — who stars with her as a stuntman character in this year’s The Fall Guy — said “We’re here to celebrate the stunt community. They’ve been such a crucial part of our industry, since the beginning of cinema.” In a subsequent video, narrated by Gosling, paid tribute to the best of stunts work for the past hundred years, showing clips from Buster Keaton and Charlie Chaplin to John Wick, Fast & The Furious, RRR, Everything Everywhere All at Once, The Matrix, Mad Max: Fury Road and more.

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The Democrats put on a January 6 pageant

The best comedies always begin on a note of solemnity. Charlie Chaplin’s The Kid opens with an unwed mother driven to abandon her newborn. Buster Keaton’s The General opens with news arriving in Marietta, Georgia, that the South has fired on Fort Sumner and the Civil War is on. Thus did Congressman Bennie Thompson open Thursday's January 6 Pageant with a solemn story about the "conspiracy to thwart the will of the people," in which an insurrection "put two and a half centuries of constitutional democracy at risk." He was followed by the even more solemn Liz Cheney, who promised a thrilling line-up of testimony that will prove beyond the shadow of a sunspot that Donald Trump planned the whole thing. Well, maybe so.

January 6 Committee

Zelensky is the star of the Cannes Festival

The Cannes Film Festival remains the most glamorous and famous gathering of the movie industry in the world. High-profile, black-tie premieres attended by some of the best-known actors jostle alongside the more disreputable commercial market. Films on sale this year include My Neighbor Adolf, about the unlikely friendship that is struck up between a Holocaust survivor and a mysterious man who may or may not be Adolf Hitler. But back in the main festival, everything is going entirely to plan. Apparently. There has not been a “normal” Cannes Film Festival since 2019. The 2020 edition was canceled, and the 2021 event took place in reduced and rather glum circumstances in July. But now Cannes is back, back, back, bébé!

Buster’s land stand

When Shakespeare wrote that “some men are born great, some achieve greatness and some have greatness thrust upon them,” the Bard could not have been thinking of Buster Keaton, who was born nearly three centuries after his death. Yet the idea expressed in that famous line from Twelfth Night — that some men guide their fate while others are controlled by it — carries a curious resonance for fans of the legendary silent performer known for his notably impassive, even indifferent comic persona in masterpieces including The Navigator (1924) and The General (1926). If ever there was a man on whom life, if not greatness, was thrust, it was the one they called the “Great Stone Face.

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Here’s looking at you, Kid

‘I learnt there was Charlie and there was Chaplin,’ Jackie Coogan, the actor’s young foil in 1921’s groundbreaking The Kid once remarked. ‘The first was the biggest movie star on the planet, the second an insecure boy from the slums of London.’ Luckily for us, both sides of the Chaplin persona meshed perfectly in The Kid, with its generous helpings of the comic and the sentimental. It may be the Little Tramp’s most perfect and most personal film. Like almost everything that’s any good in art, The Kid emerged out of turmoil. In October 1918, the 29-year-old Chaplin had married the first of his child brides, 16-year-old Mildred Harris, after she told him she was pregnant.

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