Batman

Is Trump DC’s Batman?

What is Washington to make of the President’s efforts to “make DC safe again?” If you’re only capable of measuring Trump’s actions by how authoritarian they appear, then, sure, his declaration of a state of emergency, seizure of control of the Metropolitan Police Department and mobilization of the National Guard must seem scary. Cockburn empathizes with the small number of DC residents – and larger cohort in other cities and around the world – who see Trump’s use of the powers granted him by the Home Rule Act as concerning. On his Monday evening constitutional around Northwest DC, Cockburn saw a number of arrests taking place, more MPD cars on the street than usual and heard a chorus of sirens cascading into the night.

Trump as Batman (Grok)

Like The Joker, but less pretentious: The Penguin reviewed

From our UK edition

Doctor Who fans may remember that after the show’s triumphant return in the early 2000s, we found out that showrunner Russell T. Davies had agreed with BBC mandarins to rid the franchise of some of its more unwieldy elements in order to make it palatable to casual viewers. Gotham City has long been the perfect backdrop for old-fashioned noir, and the city is on fine fettle here Watching the debut episode of The Penguin, HBO’s new crime series (available on Sky Atlantic), based on a popular Batman villain, I suspected a similar game was at play. The series might be visibly set in the Batman universe, but it’s also very much detached from the nerdiness that emanates from DC Comics. Think the film adaptation of The Joker, only much less pretentious.

The decline of Tim Burton

Beetlejuice Beetlejuice — so good, they named it twice. At least, that’s what you would have hoped. Unfortunately, Tim Burton’s latest movie is a dismally confused hotchpotch that aims for a curious mixture of comedy, mild horror and the usual Burton wackiness, along with performances from his regular actors including Michael Keaton, Jenna Ortega and Winona Ryder. Sequel to an Eighties curio that was diverting rather than brilliant in the first place, it has nevertheless capitalized on the ever-present vogue for nostalgia that has permeated theaters over the past few years. It made an astonishing $111 million at the US box office last weekend; the original grossed $75 million worldwide during its entire run at movie theaters, albeit the best part of four decades ago.

tim burton

This month in culture: September 2024

Slow Horses, season 4 Apple TV+, September 4 Apple TV+’s adaptations of Mick Herron’s excellent espionage novels, led by Gary Oldman on magnificent form as the belching, flatulent, brilliant Jackson Lamb, have quietly become the streaming service’s MVP, and their strong showing in this year’s Emmy nominations has reinforced the company’s continued faith in the unmissable series. This fourth installment, based on Herron’s novel Spook Street, guest stars the ever-excellent Hugo Weaving as a mysterious interloper with a close personal connection to Jack Lowden’s bratty Bond-in-training River Cartwright. Expect the usual mixture of big laughs, shocking twists and high-octane action scenes.

Culture

Christopher Nolan, creator of worlds

At this year’s Oscars ceremony, there was a moment that only those blind to symbolism could have failed to pick up. The presenter of the Best Director award was none other than Steven Spielberg, himself the most commercially successful film director who has ever lived. The recipient was Christopher Nolan, whose films so far this millennium have grossed over $6 billion worldwide, making him the seventh-highest earning filmmaker of all time. Those above him — no disrespect to the likes of the Russo brothers, David Yates and even Michael Bay — are journeymen directors whose franchise work makes a lot of money without bothering the Academy; the auteur-ish likes of Peter Jackson, James Cameron and Spielberg have all now been rewarded with their own Best Director Oscars.

Nolan

Can James Gunn deliver a pro-American Superman?

New DC head honcho James Gunn has found his Superman and Lois Lane, casting David Corenswet and Rachel Brosnahan in the iconic roles for his reboot of the franchise, Superman: Legacy. The choices seem surprisingly predictable for the off-the-wall Gunn, who reportedly had considered Nicholas Hoult for the cape. Instead, we get a rising star who has the physical look of Henry Cavill Jr. and an established actress in the Emmy- and Golden Globe-winning Brosnahan, who seems tailor-made to portray a wisecracking stronger Lois type. Cavill's tenure as Superman was frustrating for many fans and the actor as well. He seemed hampered by the movies built around him — Man of Steel with its controversial death toll, Batman v.

david corenswet superman

What is the point of the DC superhero films?

Say what you like about the Marvel Cinematic Universe (or the MCU, for short) — and I do, frequently — but you can’t deny that it has a grim efficiency. The MCU impressively herds tens of millions of unsuspecting moviegoers into theaters to watch the latest incomprehensible special effects behemoth, with a wildly overqualified and suitably embarrassed cast. As I write this, the latest installment to threaten audiences is Ant-Man and the Wasp: Quantumania. Now I don’t know what Quantumania is, and I will be perfectly happy to never find out. But as the previous film, Ant-Man and the Wasp (the titles lack a certain finesse), made more than $600 million at the box office, I accept I might be in the minority.

Evocative tribute to the orphaned caped crusader: Superheroes, Orphans & Origins at the Foundling Museum reviewed

From our UK edition

Instead of wasting money, like other museums, on extravagant architectural statements, the Foundling Museum in Brunswick Square has sensibly chosen to welcome visitors with a written statement. In 2014 it commissioned the poet Lemn Sissay, who spent his teenage years in a children’s home, to create a memorial in its entrance hall to the many parentless heroes and heroines in fiction. ‘Heathcliff was a foundling… Harry Potter was fostered… Dorothy Gale was adopted… James Bond was fostered…’ The list goes on, running to more than 100 names. Sissay’s mural will trigger a lightbulb moment for any dimwit like me who has failed to notice this narrative trope – and there are further revelations in the show downstairs.

Why the British don’t do superheroes

From our UK edition

I don’t know about you but I’m a rather a fan of Batman or The Batman, if you prefer to give him the definite article as the new film does. It’s also rather heartening to see so many fine British actors earning a pretty penny portraying him – Robert Pattinson dons the cowl in the new film, hot on the heels of Christian Bale. And it’s not just Gotham’s bone crushing vigilante that our acting schools are clearly adept at preparing actors for: Brits Tom Holland Andrew Garfield have both slung webs as Spider-man and of course Henry Cavill has done the blue leotard proud playing Superman four times.

Ten cerebral superhero films to rival The Batman

From our UK edition

With an added ‘The’ for extra gravitas, Matt Reeves’ fresh take on The Batman is picking up generally favourable notices both for the movie and Robert Pattinson’s interpretation of the character, which apparently makes Christian Bale’s dour Bruce Wayne a happy-go-lucky scamp in comparison. The Spectator's Deborah Ross wasn't convinced by yet another dark twist on the superhero but elsewhere the film has received solid reviews. The Caped Crusader has seen many iterations on film, the most recent being Ben Affleck’s constipated billionaire, which never really caught on with audiences.

Humourless and stale: The Batman reviewed

From our UK edition

The latest Batman film, The Batman, may be a reboot, or even a reboot of a rebooted reboot that’s been rebooted. Hard to tell any more. Tracey Ullman once joked that her mother had served leftovers for so long that no one could recall the original dish and this feels like that. What was the original dish? Was it Tim Burton’s version from 1989 starring Michael Keaton? I don’t know. All I know is that you hope each time for something fresh and surprising and entertaining but every film since has simply attempted to out-film noir the last. We can go darker still! Bruce Wayne, more traumatised by his childhood than ever before! I should also warn you that it’s three hours long having been cut down from four. (Holy cow, Batman!

Will the real Robert Pattinson please stand up?

As Alan Bennett’s Prince Regent almost said in The Madness of King George, "Being Batman is not a position. It’s a predicament." Actors including Michael Keaton, Christian Bale, Ben Affleck, George Clooney, Val Kilmer and (vocally) Will Arnett have all had their turn at being the Bat-person over the past few decades, vying with one another to adopt their gruffest and manliest voice as they fly around dressed as a giant nocturnal mammal. It’s not quite Stanislavsky, but the various award-winning thespians have given it their all. Their mothers, and agents, must be proud. And now the youngest of their number, 35-year-old Robert Pattinson, has joined their Bat-ranks.