Anderson Cooper

Mention “Astor” to most people and you immediately conjure up tales of fabulous wealth, the sort of Gilded Age beauty and excess expressed to perfection in the paintings of John Singer Sargent. The family name became synonymous at times with luxury and good taste, at others with greed, power and extreme snobbishness. The founder of the dynasty, John Jacob Astor, was a German immigrant and one-time fur trader who came to America in 1783 after the Revolutionary War. His descendants swiftly capitalized on his substantial achievements, creating a Manhattan property empire of unrivaled wealth. There was also plenty of Astor philanthropy and involvement in political and cultural life along the way but then, in the early twenty-first century, came a fall from grace as dramatic as the rise.

“I don’t know how many times in nearly forty years I have come back to this novel,” Graham Greene said of Ford Madox Ford’s The Good Soldier, published shortly after the outbreak of the First World War. The fiction of both English authors — both converts to Catholicism — share a deep cynicism towards modernity and a depiction of the English establishment as decadent and in decline. The Good Soldier, whose original title The Saddest Story was canned by the publisher because it would render the book “unsaleable” during World War I, tells the tale of two married couples, one British (British Army Captain Edward Ashburnham and his wife Leonora) and the other American (John and Florence Dowell). Both pairs are, on the face of it, young, prosperous, and happy.