Albert camus

Camus comes to America

The 20th-century French writer Albert Camus remains a living author, a permanent contemporary, in a way that the far more dogmatic and ideological Jean-Paul Sartre does not. The latter provided a caricature of “existentialism,” nihilism dressed up as absolute freedom, beholden to no limits and no enduring truths. In contrast, the author of The Stranger and The Plague rejected Sartre’s facile nihilism, as well as his repellant accommodation with murderous messianism, typically conveyed in fashionable leftist nostrums. The more hopeful side of Camus comes through in his recently re-released Travels in the Americas: Notes and Impressions of a New World.

camus

What can we learn about coronavirus from classic cinema?

Batavia, New York With the first blizzard of every winter I take John Greenleaf Whittier’s Snow-Bound off the bookshelf, and though I never quite make it through to the end, when the snow is ‘melted in the genial glow’, I feel as if I have hunkered down for the week with the ‘Barefoot Boy’ poet’s besieged shut-ins. So when the Kung Flu — excuse me; I forgot for a moment that mild humor is now as verboten as sweaty raves and square dances — kicked its way into our lives, but before the local library shut down, I, like everyone else — well, like a tiny sliver of the populace — reached for Camus’s...Camus’s...oh, the hell with it: The Plague by Albert Camus.

peckinpah classic cinema