Abba

The glorious silliness of tribute band names

Seeing a tribute band can be a strange experience. There are your heroes on stage once more, magically rejuvenated and playing the music of your youth. You too feel briefly young again – until you notice everyone else at the gig is also at least 57. But as often as not the band is brilliant. They have lovingly tracked down the right guitars, effect pedals and amp settings in search of the perfect sound. They have styled their hair just so, applied the requisite tattoos and, at some obvious expense, commissioned perfect replicas of signature stage outfits. See Björn Again and the girls might come complete with the purple capes worn for ABBA’s 1980 world tour before changing into the white-booted “SOS” look.

tribute

The role of ABBA in the Ajax fiasco

From our UK edition

‘It’s all about ABBA,’ a military acquaintance whispered when I mentioned the scandal of the British Army’s order of 589 Ajax armoured vehicles, for which -‘initial operating capability’ status has been withdrawn following multiple cases of soldiers suffering after-effects of intolerable noise and vibration. What could that possibly have to do with the great Swedish-songsters? Nothing, he explained: it is an acronym for ‘Anything But British Aerospace’, allegedly a mantra in defence procurement circles in a previous era.

Were Boney M the weirdest pop act of all time?

From our UK edition

For a spell in the late 1970s there were two pop groups which dominated the UK singles charts – both, coincidentally, vocal quartets from continental northern Europe. But while one, Abba, have since become a billion-pound industry with an apparently permanent hologram-shaped presence on the London concert scene, their then rivals for pop supremacy, Boney M, have almost completely disappeared from public consciousness. And this is a shame because Boney M remain uniquely noteworthy in one field in particular: weirdness.  There are other contenders: Little Richard, the Sweet, Village People, the KLF.

The Last Dinner Party’s Prelude to Ecstasy fizzes with wit and invention

I have lost hope in contemporary pop music. As someone who used to keep his finger on the pulse of new releases, and who went to gigs as often as I could, the absence of innovation has been one of the great disappointments of the past couple of decades. There really isn’t anything much out there, bar, of course, the sainted Taylor Swift. But ever since David Bowie’s death eight years ago (eight years...), the music industry seems to have been in a desperate downward spiral, where flair, originality and chutzpah are sorely missed. Surely it’s time that a new act could supply such things, complete with flute solos, songs sung in Albanian and an orchestral overture? No, I am not making it up.

last dinner party

They have the weakest catalogue of any major act: Abba: Voyage reviewed

From our UK edition

One of the biggest talking points in pop these past couple of years has been how successful old musicians have become at making money. Swathes of stars have simply auctioned off their past: rather than collecting the royalties on their publishing and their recordings year by year, they have just sold the whole lot. Last year Bruce Springsteen collected half a billion dollars for selling the rights to his recordings and publishing to Sony. Bob Dylan got a similar amount for selling his recorded catalogue to Sony and his publishing to Universal. Abba have been in on the act, too. But not selling: a company founded by Bjorn Ulvaeus of Abba has been buying up other artists’ catalogues.

Oh dear, Abba’s new album is a bit of a dog: Voyage reviewed

From our UK edition

I assume that somewhere on the guided ‘Piers and Queers’ walking tour of Brighton, the participants are enjoined to regard, in awe, the Dome — the venue at which Abba, on 6 April 1974, won the Eurovision Song Contest, thus both launching themselves as a wildly successful band and establishing the town (as it was then) as a mecca (probably the wrong choice of word there) for the UK’s swiftly growing gay community. Hitherto it had been a rather frowsy, Tory-voting seaside resort, best known for dirty weekends and petty villains. The Swedes won with ‘Waterloo’, of course, which may have provided our nation with some much-needed succour. A remembrance of good things past.

The New Normal Festival shows how theatre could return

From our UK edition

So the madness continues. Planes full of passengers are going everywhere. Theatres full of ghosts are going bust. My first press night since March took place at a monumental Victorian building in Wandsworth where concerts are staged in an open-air courtyard. The entry process was less fussy than I’d expected. I didn’t need my phone and there was no ‘track and trace’ nonsense. A masked official aimed a ray gun at my face and showed me a reading — 36.4ºC. I’d passed the temperature test. He then pointed me towards a hand sanitiser. ‘Is it compulsory?’ I said politely. A look of fear crossed his eyes, as if violence were about to erupt, and he meekly repeated his request that I soap down my mits.