50 Cent

Friday

Alexander Larman

The Diddy documentary is required viewing

There are relatively few Netflix documentaries – even in this increasingly sensationalized and prurient age – that have made anything like the splash that the new show about the artist formerly known as P. Diddy has caused. Sean Combs: The Reckoning isn’t just hard to watch, but positively mind-blowing in its account of the imprisoned mogul’s actions and predilections. Although he was acquitted of the most serious charges that he was on trial for this year, Combs will not be released from jail until May 2028. Given the number of allegations and civil suits pending against him, any comeback for the disgraced musician looks impossible – even in an era when Kanye West is, apparently, given second chance after second chance.

Friday

Cockburn

Inside the Briahna Joy Gray firing at Rising

Briahna Joy Gray, the former Bernie Sanders deputy press secretary and fierce defender of Palestine, has been ejected from the Hill’s YouTube show Rising. Gray, the regular co-host with Reason’s Robby Soave, tweeted out an unsigned termination letter from parent company Nexstar, in which her first name had been misspelled twice. Sources confirm that the decision was made by the parent company and that Hill management had no say.

Wednesday

The Spectator

Biden’s faux border crackdown

President Joe Biden announced an executive order this week that he claims will “help us to gain control of our border, restore order to the process” by banning migrants from seeking asylum if they cross the border illegally. At first glance, this seems like a welcome move to reduce a major pull factor for illegal crossings, even if it flies in the face of Biden’s claim in January that he had “done all I can do” on the border.As always, though, the devil is in the details. First, the limitations on asylum seekers only kick in once illegal crossings exceed 2,500 per day, which is nearly 1 million per year. As Ammon Blair, a senior fellow at the Texas Public Policy Foundation told me, Biden is going to “meter the invasion.

Wednesday

Amber Duke

The progressive idea of justice somehow keeps getting dumber

One of the first things my fiancé and I did after purchasing our first home was install a security system. This included a Ring-style doorbell camera that alerts us when people approach our front door and automatically starts recording video and audio. The resulting clips are saved in a mobile app and can be exported with ease.   Imagine my surprise when I learned this week that wanting to monitor my home is racist!  A new article in tech magazine WIRED says they don’t recommend Ring cameras because they supposedly make it easier “for both private citizens and law enforcement agencies to target certain groups for suspicion of crime based on skin color, ethnicity, religion or country of origin.”  How does WIRED think policing works, exactly?

justice

Sunday

Micah Mattix

Pop music isn’t getting better — and that’s okay

In last weekend’s Wall Street Journal, James R. Hagerty and Anne Steele argue that pop artists are using more imperfect — that is, half or slant — rhymes than before because of the pressure to be original in the age of Spotify. This, plus the influence of rap, which “requires verbal virtuosity,” they argue, “has upped the ante on originality in rhyming.” Color me unconvinced. Olivia Rodrigo rhymes “smart” with “car” in “Brutal.” Dua Lipa’s “Don’t Start Now” rhymes “full 180” with “crazy.” For Hagerty and Steele, these are examples of stunning creativity. But lyricists have been using slant rhymes for a long time. Why? Mainly because they are easier than perfect rhymes, at least in English.

olivia rodrigo pop music