Hard pressed | The Spectator

On the front line of the tennis magazine wars

The issue appeared without fanfare at the 2017 US Open giftshop: a bright-red background offset an Impressionist yet unmistakable painting of Yannick Noah hitting a forehand, dreadlocks flaring. And with that, publisher Caitlin Thompson and editor-in-chief Dave Shaftel — an unlikely journalism pair who had met bonding over the poor state of tennis media — announced the launch of Racquet magazine, a journal that would explore the lifestyle, culture, history and zeitgeist behind modern tennis. In his first editor’s letter, Shaftel more or less laid out his and Thompson’s grand plans. “We don’t think of the game as a country club sport lumped in with golf and healthy only in the suburbs,” Shaftel wrote.

Chilton Williamson, Jr.

A symbol of hope for Europe

Considering the way history has been going for the past quarter of a century, it seems not merely Panglossian but naive and sentimental to the point of bad taste to find grounds for historical optimism now. Nevertheless, positive facts ought to be recognized as well as negative, and without embarrassment. The world appears to have entered upon a new era when the author of a leader in the London Sunday Telegraph is comfortable writing: “Europe has many things to its credit — and the reconstruction of Notre-Dame stands in notable contrast to our own inability even to decide what to do with the Houses of Parliament. But if we are to retain global relevance and restore economic dynamism, it seems increasingly clear that we have more to learn from America.

Bill Kauffman

With reference to

"You spend your life waiting for a moment that just don't come," sang Bruce Springsteen many moments ago. But sometimes it comes and catches you off guard. Perhaps once a decade you are gifted a sentence begging completion or a question inviting the perfect answer, and if you don’t spit out the mot juste you spend the rest of the day cursing on the staircase, pained by a bad case of l’esprit de l’escalier. (And that about exhausts my C-minus college French.) You never know when or wherefrom these pitches are coming. I doubt that even Oscar Wilde could hit much above .500 in this league. I’m probably closer to Cornel Wilde, but I have driven a few into the gaps. Let me explain. Last spring I was toting a garden-shop tray that my wife was filling with plants.

Cosmo Landesman

A tale of two parties

This is a tale of two London parties. They say something about London society, status, power, fame and fun — but I’m not sure what exactly. Party one was what I call a Power Party. It was full of famous faces from the upper echelons of British politics and media. I spotted chancellor of the Exchequer Rachel Reeves talking to the former Tory chancellor George Osborne and the former foreign secretary David Miliband. Party two was what I call a Pulchritude Party — a dazzling array of beautiful women and handsome men. There was a mix of young writers, journalists, lawyers, filmmakers and artists. It did not have the high social wattage of name recognition that the Power Party had — but it had beauty and youth on its side.

Bill McMorris

Are we still doing phrasing?

Grandma McMorris seldom curses, so when she said, “never let a son of a bitch know he’s a son of a bitch,” I knew she was quoting her father, Pop Pop. My grandfather oozed apothegms, nuggets of wisdom that are now only found on refrigerator magnets, motivational posters and throw pillows: the Silent Generation’s forerunner to the meme. Mom was giving me work advice. It’s only been two months, but I no longer remember who the son of a bitch that I called a son of a bitch was, let alone why I called him that. The particulars vanished as soon as my mother spoke, the work crisis overtaken by a personal one. It was a barbecue, probably. Or perhaps a s’mores night at the firepit. A birthday party for one of her sisters? “Dad, when can I have a cigarette?

Life