Westering
In which our correspondent strikes out for the territory.
The good, bad and ugly in arts and exhbitions
In which our correspondent strikes out for the territory.
Sacha Baron Cohen’s latest series Who Is America? isn’t funny. But then, nor was his terrible 2016 movie The Brothers Grimsby. Nor was his rubbish 2012 film The Dictator. Nor, let’s be honest, were his classic original characters Borat, Brüno or even Ali G. Obviously, they had their moments: the ‘mankini’ — that bizarre, electric green, giant-thong-like swim wear worn by Borat; the classic late-Nineties catchphrase ‘Is it because I is black?’ And sure it must have taken some nerve — even in character — to explain to a clearly impatient and unimpressed Donald Trump his business plan for some anti-drip ice-cream gloves. But how often, even at his best,
Paws for thought
When President Trump refused to take a question from a CNN reporter at the Chequers press conference last week, I imagine a lot of British viewers thought —as Theresa May clearly did — that he was being graceless, capricious and anti-freedom of speech. But I think we’re in danger of underestimating the extent to which the media landscape has changed in the past few years. Gone are the days — if they ever existed — when political interviewers were dispassionate seekers-after-truth on a mission to get the best out of their subjects. Now, it’s mostly activism-driven, the aim being to advance your preferred narrative while showing up your ideological opponents
The Canadian rapper’s response to Pusha-T on his new album is nimble and reasonable.
There is so much euphemistic reporting about Scarlett Johansson’s decision to drop out of a film in which she would have portrayed a trans man. Ms Johansson ‘quits role’, headlines tell us. She has ‘stepped away’ from ‘trans role’, we are informed. It all makes it sound like she had a simple change of heart, or maybe found herself drawn to a different movie project. The truth is rather different. The truth is Ms Johansson was hounded out of the trans role by an intolerant online mob hurling invective at her. She didn’t merely ‘quit role’ — she ‘quit role’ under pressure from an unforgiving gang of identitarians who think they
The former New York Times reviewer’s study of truth reveals how she’s been driven to outrage by the erosion of cultural and critical values.
The disgraced movie producer reached out to Taki with a ‘world exclusive’ about Rose McGowan and Asia Argento
It’s almost impossible to imagine the President praising a book or a person or an idea, or really anything, that hasn’t been approved by a lot of people.
The president may be averse to the arts, but he’s hardly shaking the republic to its core.
You know the feeling. One minute, you’re an oversexed adman, strolling the streets of Paris and propositioning every woman you pass. The next, you’ve walked into a lamp post, and knocked yourself unconscious. You wake up in the same Paris, but now the sex roles are reversed, and the hierarchies of power and values too. … Read more
You’ve probably heard that we’re in a boom time for the art business, breaking sales records as fast as we can make them. This might seem strange, in a time of such political uncertainty, but look closer: the art world is a fascinating canary in our cultural/social/economic coal mine, an odd liminal zone where profound … Read more
The director recognises Trump’s startling originality and willingness to look beyond the taken-for-granted modus operandi of the Washington Establishment.
This is a golden age for documentaries, if you have time to view them. Digital film and editing have reduced the cost of making a documentary, and online streaming has resolved the problem of distribution. The result is a glut of documentaries, generally well-made, and generally too long. Lorna Tucker’s Westwood: Punk, Icon, Activist comes … Read more
‘I like your shirt today,’ Sir Ray Davies says to the waiter who brings his glass of water to the table outside a café in Highgate. ‘How’s your girlfriend?’ It turns out the girlfriend is no longer the girlfriend. ‘You broke up? You know, that happens. It’ll be OK. You’ll meet somebody else.’ He pauses and then says something that runs through my head for days after our interview. ‘She’ll meet somebody else.’ It’s true, of course; she will. And it’s a human thing to say: both parties to the relationship will move on. But it’s also delivered with a hint of claws. Who wants to be told, fresh from
Conrad Black explains how the President consistently and hilariously outplays his enemies, provoking and then exploiting the friction between him and them to raise himself to ever greater heights.
Women get paid less in Hollywood. Surely the budget for the female variation on Ocean’s Eleven and Ocean’s Thirteen could have stretched to Ocean’s Twenty? Still, Gary Ross’ crime caper is right on the money. The franchise remains familiar — perhaps too familiar — but Ocean’s Eight feels fresh, with its gender-flipping of Rat Pack … Read more
Niall Ferguson’s decision to disengage with students and their politics is wrong. While such a statement may bring glee to those on the left and may displease Ferguson himself, Ferguson’s reaction to his admitted bad judgement involving Stanford students is deeply problematic. Specifically, after being caught suggesting some fairly unethical behaviour regarding his engagement with … Read more
Kanye West is more than halfway in to the Rock’n’Roll Hall of Fame — if his politics don’t block the way. This extraordinary rapper-producer first won over a worldwide audience with the 2004 anthem ‘Jesus Walks’, disrupted hip-hop’s bling-bling materialism with the us-vs-them challenge of his Jay-Z collaboration Watch the Throne, and then released the confounding My Beautiful Dark Twisted Fantasy, which rightly became the most highly acclaimed hip-hop album this century. He went on to make controversial public art with his ‘New Slaves’ video, which was projected in 66 locations around the world (called Orwellian by admirers and dumbfounded detractors). With news-making political statements occasionally interspersing that résumé, West
‘The rule in our household is: if a TV series hasn’t got subtitles, it’s not worth watching,’ a friend told me the other day. Once this approach would have been both extremely limiting and insufferably pompous. In the era of Netflix and Amazon Prime, though, it makes a lot of sense. There’s something about English-speaking TV — especially if it’s made in the US — that tends towards disappointment. Obviously there have been exceptions: The Sopranos; Band of Brothers; Breaking Bad; Game of Thrones. But too often, what’s missing is that shard of ice in the creative heart that drama needs if it’s to be truly exceptional. American drama is