Painting Days

In memory of Bruce Chilton 

Those unhurried afternoons

we stood at our easels, muddying

canvas with paint from a dinner plate.

Schubert’s Trout Sonata on Radio 3.

Tea stone cold, we were more

Pete and Dud than Monet and Renoir,

barely exchanging a word while

the sun washed the room with light. 

Occasionally, taken with the music,

he’d give voice to a note or phrase,

forgetting perhaps I was there. 

There’d be a stop for a pipe; a pause

for lunch – always sandwiches and soup.

Could I trouble you for some mustard?

A little cricket talk, perhaps, or something

about his motorcycle, some nuisance

with the carburettor, or a tie he had

his eye on in Jarrolds (‘But not at that price’). 

As for the painting, there was never

a word of judgment, rarely praise.

We slogged on until we lost the light

or when he began to dip his brush in his tea. 

Then at four – ‘Gosh, is that the time?

They’ll wonder where I’ve got to. 

Thanks awfully for the soup. What was it?’ 

Then hat, scarf, coat, and he was gone.