Toby Young is associate editor of The Spectator.
From our UK edition
Cloaca, Kevin Spacey’s debut as the artistic director of the Old Vic, must rank as one of the biggest disappointments of the year. It isn’t bad, exactly, but I was expecting so much more from the man who electrified British theatergoers with his star turn in The Iceman Cometh six years ago. I sat there
From our UK edition
What will happen to British culture when the United Kingdom disintegrates into half a dozen warring republics? Who will protect our museums from marauding bands of looters when the rule of law breaks down? What will become of the crown jewels when the royal family is banished to Monaco? If our cultural heritage survives at
From our UK edition
This book, which presents itself as a no-holds-barred account of Joe Eszterhas’s reign as the toughest and most highly-paid screenwriter in Hollywood, is doubly misleading. To begin with, it’s heavily censored; and, secondly, he isn’t the fierce defender of his work that he purports to be, at least not judging from the way he’s allowed
From our UK edition
H. L. Mencken once said that the function of journalism was to comfort the afflicted and afflict the comfortable, but few of us manage to live up to that standard today. On the contrary, most of us are more likely to hurl ourselves at the feet of the high and mighty and ignore everyone else.
From our UK edition
Dear James, Thanks for sending me a copy of your … what shall we call it? Memoir? Novel? Anyway, I really enjoyed it. You’ve completely captured what it was like to be an Oxford undergraduate in the mid-80s — all that Sloane Ranger crap, the Pimms, the seccies. Every time I turned the page I
From our UK edition
Stop all the clocks, cut off the telephone, prevent the dog from barking with a juicy bone. For the next 24 hours I’ll be glued to my television set watching the final moments of Celebrity Big Brother. Admittedly, it hasn’t proved quite as compelling as the first series, but it has been pretty entertaining nevertheless.
From our UK edition
The big play at Edinburgh this year – the one with Tim Robbins and Susan Sarandon in it – was The Guys, a heartfelt tribute to the ‘ordinary’ heroes of 11 September. Written by a journalist called Ann Nelson, it tells the story of her encounter with a New York fire captain who asked for