Susie Mesure

For a newly independent Georgia, the 1990s were a dark time literally and figuratively, as civil war raged, criminality flourished and the power stayed off. The Lack of Light, Nino Haratischwili’s fourth novel to be translated into English, turns that darkness into a gripping story about the power and pitfalls of female friendship that seeks

To read something by the Cumbria-born Sarah Hall is to enter a dizzying, earthy and often dystopian world where the elements rule and nature is blood red. Her nine previous short story collections and novels straddle life’s peripheries, often scratching at the limits of what it means to be human. ‘Mrs Fox’, one of her

It’s impossible not to love Vera Bradford-Shmulkin, the whip-smart Jewish-Korean- American child narrator of Vera, or Faith, Gary Shteyngart’s sixth novel, which is a masterclass in the author’s sardonicism, set in a frighteningly realistic near future. School is awful and Vera’s world is on the brink of imploding because ‘Daddy and Anne Mom’, her stepmother,

Alexander Starritt has form with satire. His 2017 debut The Beast skewered the modern tabloid press, drawing comparisons with Evelyn Waugh’s Scoop. For his third novel, Drayton and Mackenzie, he is back at it, mercilessly mocking everything from Oxbridge and management consultants to tech bros and new parents in a story that hinges on whether

Sarah Moss is a prolific and vital novelist whose books encompass an array of subjects from Victorian social reform and 19th-century Japan to broken Brexit Britain and eating disorders. She combines teaching at University College, Dublin with writing in real time: The Fell, set during the second lockdown, came out in the summer of 2021,

I have counted the days. It is my 122nd eighteenth of November. I have come a long way from the seventeenth and I do not know whether I will ever see the nineteenth. But the eighteenth arrives again and again. This is life for Tara Selter, the protagonist of On the Calculation of Volume, a

‘I am an Adina,’ the four-year-old protagonist of Marie-Helene Bertino’s Beautyland writes to her extraterrestrial superiors on Planet Cricket Rice, which is light years away from Earth. ‘Yesterday I saw bunnies on the grass,’ she adds, using the fax machine her mother retrieved from their neighbour’s trash. ‘DESCRIBE BUNNIES,’ they respond, sparking a dialogue that

Stephen May used to write contemporary novels about men who ‘live outside big cities, lack self-confidence and rarely feature in contemporary fiction’, as he once put it, adding: ‘Even Nick Hornby’s characters are more sorted than mine.’ But a chance discovery of a Wikipedia page about the three weeks that a young Stalin spent in

Beartooth, the second novel by the Montana-based writer Callan Wink, opens with two brothers elbow-deep in the viscera of the third black bear they have just shot out of season. Hazan’s hands are ‘moving around the hot insides of the animal as if he were rummaging through a junk drawer’. He wants the gallbladder, which

Those who remember Joseph O’Neill’s brilliant novel Netherland, which featured a multicultural cricket club and was set in post 9/11 Manhattan, will assume they know what they’re getting with Godwin, which purports to be about the hunt for the next Messi. A video file of an African teenager with legendary ball skills is circulating far

Contemporary Irish writers have a knack of making their recent past feel very foreign. Clare Keegan’s Small Things Like These is set in 1985, but the horrors she reveals about one of Ireland’s Magdalene laundries seem more like ancient history. Alan Murrin pulls off something similar in The Coast Road, where in late 1994 divorce

How do you picture the end of days? ‘When I was alive, I imagined something redemptive about the end of the world,’ muses the unnamed narrator in It Lasts Forever And Then It’s Over. ‘I thought it would be a kind of purification. Or at least a simplification. Rectification through reduction.’ But no: ‘The end

‘The surest and quickest way for us to arouse the sense of wonder is to stare unafraid at a single object.’ Cesare Pavese wrote those words in Dialogues with Leucò, one of two quotations that preface Lara Pawson’s deceptively slim third book, Spent Light. When her dog starts killing squirrels, Pawson cooks them, acquiringa Whitby

If chicken soup is balm for the soul, then James McBride’s eighth book, set in 1930s Chicken Hill, a neighbourhood in a small town in Pennsylvania that is home to Jewish, black and other immigrant people, is its literary equivalent. There is something nourishing about The Heaven & Earth Grocery Store, a warm story about

Jesmyn Ward, America’s only female two-time National Book Award winner, has had more than her share of hellish experiences to fuel her literary life. Her Mississippi-based family endured Hurricane Katrina. Salvage the Bones (2011), set during the catastrophe, was Ward’s response. Her memoir, Men We Reaped (2013), tackled her grief at losing five men close

Lauren Groff writes to alleviate her angst about aspects of life she finds hard to confront. Climatic disaster, misogyny, spousal death, flawed utopias and pandemics have all fuelled the plots of books as disparate as Fates and Furies, her 2015 contemporary two-hander about marital verisimilitude, and Matrix, which features a 12th-century feminist abbess based on

All writers studying their craft should be encouraged to try translation, thinks Idra Novey, the Pennsylvania-born novelist, poet and, si, translator. Working in another language confers the freedom to slip out of their own voices, developing their own tone in the process, she told one interviewer. On the strength of Novey’s third novel, Take What

There is more than one way to read the title of Mona Simpson’s seventh novel Commitment, a multigenerational family saga set mainly in California in the 1970s and 1980s. There is the ‘hospital commitment’ Diane Aziz, a single mother of three teenage children, needs after sinking into a deep depression shortly after her eldest, Walter,

When Flavia, 28, starts seeing a sex therapist called Om – a name that is as ‘on-the-nose’ as everything in Hudson, NY, the college town without a college where Jen Beagin sets Big Swiss – she is upfront about her ground rules.  Having been brutally attacked a few years earlier, she says to Om: Can