Susie Mesure

Mother trouble: Commitment, by Mona Simpson, reviewed

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There is more than one way to read the title of Mona Simpson’s seventh novel Commitment, a multigenerational family saga set mainly in California in the 1970s and 1980s. There is the ‘hospital commitment’ Diane Aziz, a single mother of three teenage children, needs after sinking into a deep depression shortly after her eldest, Walter,

Voice recognition: Big Swiss, by Jen Beagin, reviewed

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When Flavia, 28, starts seeing a sex therapist called Om – a name that is as ‘on-the-nose’ as everything in Hudson, NY, the college town without a college where Jen Beagin sets Big Swiss – she is upfront about her ground rules.  Having been brutally attacked a few years earlier, she says to Om: Can

A cruel eviction: This Other Eden, by Paul Harding, reviewed

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When Paul Harding won the 2010 Pulitzer for Tinkers, he was a literary unknown who had all but abandoned hopes of his debut novel getting published until a tiny independent publisher chanced upon it. That story, about George Crosby, a dying clock- repairer who lived in Maine, heralded Harding as a great new voice, championed

Seize the moment: Undercurrent, by Barney Norris, reviewed

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Barney Norris’s third novel opens with a wedding in April. The couple tying the knot don’t matter; it’s the occasion that does, paving the way for a story about love, family and stories themselves, which is apt from a writer who is known for his dramas on the stage as much as on the page.

A child’s-eye view of the not-so-good life

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Since winning the Costa prize for best first novel in 2008 with The Outcast, Sadie Jones has become known for well-crafted plots exploring isolation, shame and troubled families. In Amy and Lan, she sticks with some similar themes but shakes things up by using two child narrators to tell their own stories. As the seasons

Parallel lives: Violets, by Alex Hyde, reviewed

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When Violet wakes up in Birmingham Women’s Hospital at the start of Alex Hyde’s debut novel her first thought is of what has happened to the enamel pail of blood, because she hates the idea of someone else emptying it: ‘Was that what it meant, lifeblood? Placental, uterine. She had seen the blood drop out

A tale of love and grim determination: Zorrie, by Laird Hunt, reviewed

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When Zorrie Underwood, the titular character in Laird Hunt’s deeply touching novel about an Indiana farm woman, is pregnant, a little girl asks how her baby breathes. ‘Like a fish,’ says Zorrie, which is how Hunt treats his readers, luring them with a snapshot of Zorrie’s diminishing days before reeling them in as her life

Lydia Davis masters the art of translating without a dictionary

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‘Read slowly, word by word, if you wish to understand what I am saying.’ Despite appearing in Essays Two, the latest non-fiction collection from Lydia Davis, this exhortation is by the Norwegian author Dag Solstad; yet the approach is apt for Davis’s work. This is not because Davis, a feted translator and writer who won

Reassess every relationship you’ve ever had before it’s too late

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‘Reading is a celebration of the mystery of ourselves,’ according to Elizabeth Strout, who writes to help readers understand themselves and other people. In Oh William!, Strout resurrects Lucy Barton, the enigmatic heroine of a previous novel, setting her on a mission to get to know William, her first husband. This is Strout’s third outing

Studies in vulnerability: A Shock, by Keith Ridgway, reviewed

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Keith Ridgway’s seventh book is a sultry, steamy shock of a novel, not least because nine years ago, despite the critical success of Hawthorn & Child, he retired from writing, telling his publishers he was done with making up stories. He also stopped reading — although only for a year, lured back by the likes