Stephen Hough

What’s wrong with elitism?

From our UK edition

There was a time when the serious business of concert-giving closed down for the summer. Artists were expected to take time off – to rest, to fish, to learn repertoire. But now many of the most important musical events happen during the resting, fishing months, not least the BBC Proms. This year I was determined that vacation should mean just that, as I swapped the stage for the stalls, from Janacek’s Katya Kabanova at Glyndebourne to Top Hat at Chichester to Good Night, Oscar at the Barbican. It was an idyllic break, but it’s back to work. My new season began in New York, a second home since 1981 when I was a student at the Juilliard School, where I now have one student.

How to write a piano concerto

From our UK edition

My Piano Concerto, The World of Yesterday, began with an email during one of the darker days of the pandemic: would I like to write a score for a movie about a concert pianist writing a piano concerto. As I looked at my concert diary, blank but for Zoom calls, it seemed like a wonderful way to keep me busy. I’d never wanted to write a piano concerto (how to begin?