The traditionalist worldview has gone from orthodoxy to punchline to nostalgia to ‘hate’ in a startlingly short space of time
I recently rewatched The Birdcage, Mike Nichols’ pleasing farce of clashing values, a Hollywood adaption of Jean Poiret’s lighter, sharper 1973 play La Cage aux Folles. The son of drag club owner Armand Goldman (a dialled-up Robin Williams) has proposed to the daughter of Republican Senator Kevin Keeley (Gene Hackman, almost camper than Williams) and