Stephen Arnell

As national irritation continues to simmer over what many viewers felt was the disappointing denouement to BBC1’s hit police drama Line of Duty, here's a look at ten shows that bowed out on a more satisfying note. A good ending is comparatively rare, as the tendency in TV is to squeeze every last drop out of a hit series until audiences are in terminal decline; witness AMC’s The Walking Dead, which continues to limp on. In contrast to shows that drag on beyond their natural lives, many felt that Game of Thrones’ final 8th season was a rush job, prompted by the desire of showrunners David Benioff and D. B. Weiss to cash-in with deals for Star Wars movies and their own series.

The 76th anniversary of the end of the Second World War in Europe will take place on the 8 May; although in fact the conflict continued for days (if not weeks) after this date with heavy fighting in parts of the former Eastern Front and areas newly occupied by Soviet forces. Indeed, anti-communist resistance groups in the Baltic states, Poland and other satellite countries continued to launch guerrilla attacks well into the 1950s. The final months of the war in Europe were amongst the bloodiest in the struggle, as Hitler resolved to pull the ruins of the Third Reich down around him in a faux-Wagnerian exit from history.

It’s no great secret that the Oscar for Best Picture has been awarded to some puzzling choices over the years. Way back in 1944, the musical comedy Going My Way won the award, rather than Billy Wilder’s classic Film Noir Double Indemnity. Then flash forward to 1952 when Cecil B. DeMille’s tiresome circus picture The Greatest Show on Earth trounced High Noon, whilst in later years Dr Strangelove lost to My Fair Lady, Rocky outdid Taxi Driver and (notoriously) Driving Miss Daisy ran over My Left Foot. In recognition of this, here's a purely personal look at ten times when the Academy Award for Best Picture went to a dubious choice, and which movie arguably should have won.

The plot of Academy Award nominated Promising Young Woman (finally available to watch on Sky Cinema and NOW TV) centres on Cassie who adopts a novel approach to avenging the rape of her friend. Revenge has featured as a key theme in literature and drama virtually since writing began, from Euripides (Medea) and Seneca (Thyestes) to Shakespeare (Titus Andronicus), Alexandre Dumas (The Count of Monte Cristo) and more recently Gillian Flynn (Gone Girl). The Jacobean era (1603-25) saw an intense interest in retribution as the subject matter for plays, with a fair few still performed to this day, works such as The Duchess of Malfi (John Webster), 'Tis Pity She's a Whore (John Ford) and The Malcontent (John Marston).

Over the recent long months of lockdown, many may feel that they are stuck in their own personal Groundhog Day. With working from home and the few opportunities for travel or socialising, life, for some, has become a matter of dull routine. It's somewhat of a surprise, then, that the well-worn genre of the time loop movie, where protagonists are doomed to live one single day time after time, is striking a chord. Recent comedy Palm Springs has had plenty of attention from critics, perhaps because it resonates so strongly with our lockdown experience. On the face of it, this genre is a recipe for monotonous viewing, but it is to the credit of filmmakers that many have played out the concept in ingenious ways.

It makes sense that a closed, secretive world full of strange rules and rituals would appeal to film-makers but the sheer number of films about strange sects makes it more than a passing fascination. The cult has become a well-established cinematic trope. Here are ten films that are worth your time: Midsommar (2019) – Amazon Rent/Buy https://www.youtube.com/watch?v=1Vnghdsjmd0  Ari Aster, who also helmed Hereditary (another cult-themed movie), directs this fine-looking folk horror picture which depicts off-the-beaten-track Swedish communities as pagan holdouts where human sacrifice to the old Norse gods is still practised.

Whilst the genre has never gone out of fashion, the 1970s were seen by many as a Golden Age of the paranoia-thriller, with Watergate, the Vietnam War and speculation about the Kennedy assassination leading to classics such as The Parallax View (1974), Three Days of the Condor (1975), Winter Kills (1979) and others. For this piece, we will look at more recent conspiracy-driven motion pictures, which have all used technological advances and the ‘surveillance society’ as a way of ramping up the paranoia.

As fireplace salesman-turned-Education Secretary Gavin Williamson enters the ‘cancel culture’ wars with his planned campus 'free speech law', what better time to investigate the phenomenon as depicted in the movies? There are a surprising number of films that deal with the subject, from every side of the political spectrum, with right-wingers, the left and libertarians all on the receiving end of censorship from the authorities at some point. As always, the focus will be on more recent movies, but first it’s worth mentioning a few older pictures that paved the way for later films.

Whilst not exactly (to paraphrase Richard Burton as Marc Anthony in Cleopatra) the 'biggest thing to hit Rome since Romulus & Remus', Oprah Winfrey's recent interview with the Duke and Duchess of Sussex was certainly A Big Deal. With over 17 million viewers watching in the States and 11.3m here, the renegade former royals cannot be ignored.  High-stakes interviews have long been a favourite subject of movies. The onscreen celebrity interview is obviously not a recent creation, with the phenomenon depicted in films as far back as Sunset Boulevard, Champagne for Caesar (both 1950), A Face in the Crowd (1957) and of course Fellini’s La Dolce Vita (1960).

As the nation waits with bated breath for Sunday's broadcast of Oprah Winfrey’s already notorious interview with the Duke and Duchess of Sussex, here's a smorgasbord of royalty in the movies, both real and fictional. With the success of Netflix’s, The Crown at the Golden Globes (granted a semi-seal of approval from Prince Harry) and the threat of yet another biopic of his mother (this time starring Kristen Stewart), the appetite for on screen depiction of ‘The Firm’ shows no sign of lessening.

After Killing Eve, Phoebe Waller-Bridge goes back again to the contract killer well with her upcoming TV re-boot of the 2005 Brad Pitt/Angelina actioner Mr & Mrs Smith. Waller-Bridge will write and co-star with Atlanta’s Donald Glover, who also featured with her in the underwhelming Star Wars prequel Solo (2018). Could this be third time lucky for a TV take on the uxorious assassins? We’ve already had a 1996 series that predated the movie (starring Scott Bakula and Maria Bello) and a 2007 show that never went beyond Doug Liman’s (who also directed the 2005 picture) pilot movie – with Martin Henderson and Jordana Brewster as the titular couple.

The first Valentine’s Day under lockdown looks set to prove the truth of Shakespeare’s oft quoted proverb: 'the course of true love never did run smooth'. New love is nigh on impossible when couples are forbidden to meet, making technology the next best thing – in terms of communication, that is. An unusual Valentine's Day surely calls for an offbeat film choice. The oddball romance is an established staple in film. Here are some worth relishing on the 14th February: Film Stars Don't Die in Liverpool (2017) - Amazon Prime & Amazon Prime Rent/Buy https://www.youtube.com/watch?

‘When it comes down to it, I'd rather have an action figure than a Golden Globe.' - Chadwick Boseman The ongoing Covid-19 pandemic has delayed the annual Hollywood Press Association Awards by two months; for the first time the show will be a bi-coastal affair, broadcast from the usual venue of The Beverly Hills Hilton on the West Coast and from The Rainbow Room in New York City. In their fourth crack at the gig,  the Golden Globe hosts will be Tina Fey (East Coast) and Amy Poehler (West), taking over from Ricky Gervais, who took his fifth turn at presenting the awards last year, where his trademark snark was felt by some to be fast approaching its sell-by-date.

The furore in the US over the rocketing shares of previously written off companies such as GameStop, Blackberry, AMC Entertainment and Macy’s (the ‘Reddit Revolt’) has introduced stock market trading terms to the general public, with some folks newly opining (with a patina of assumed knowledge) about ‘hedge funds’, ‘penny shares’, ‘junk bonds’ ‘short-selling’ and ‘pump and dump’. But this is hardly the first-time similar events have occurred.

President-Elect Joe Biden is due to formally occupy The White House after his inauguration on 20 January 2021. For those who take an interest in such things, The White House was not formally called such until 1901, when President Theodore Roosevelt officially gave the building its name. Previously it had been informally known by the term, but also as ‘The President's Palace’, the ‘President's House’, and the ‘Executive Mansion’.  For the residence of the most powerful person in the world, The White House is surprisingly modest, considerably smaller than the likes of Buckingham Palace, The Élysée, Quirinal, Kremlin, Hofburg and The Forbidden City.

After the publication of Sarah Smarsh’s She Come By It Natural, the latest biography of the beloved songstress, here's a look at Dolly Parton’s career in the movies. Admittedly, Parton’s filmography can be described as patchy (at best), but there are enough hits, curiosities, and why-on-earth-did-she-do-it? duds to merit a retrospective. And who knows – some of those movies previously deemed as clunkers may be worth a second look. Possibly. Before launching into my film rundown, it’s worth mentioning the frequent use of Dolly’s songs in movies other than hers, often used in a contrapuntal fashion.

For cinema goers 2020 was understandably a year of thin gruel. The advent of Covid-19 meant that many films banking on a big cinema release were shunted to this year - the underwhelming box office performance of Christopher Nolan’s Tenet confirming the wisdom of this choice. Some movies were moved to limited cinema and simultaneous pay-per-view release, such as The Witches and Mulan - a model that Warner Bros have decided to go full tilt with on their streaming service HBO Max. Justifiably this has caused uproar in the creative community, with directors including Nolan and Denis Villeneuve (Dune) particularly vocal.

‘All political lives, unless they are cut off in midstream at a happy juncture, end in failure, because that is the nature of politics and of human affairs.’ Enoch Powell, (Joseph Chamberlain, 1977) As President Donald J Trump witnesses the remaining days of his presidency ebb away, we take a look at the inevitable time when leaders face their ouster. Some face the end with resignation and fortitude, but sadly (for them), many cannot accept that they no longer hold the reins of power. So, as a no doubt disconsolate POTUS tucks into yet another cheeseburger (with two scoops of ice cream to follow), some motion pictures for him to reflect on. ‘My name is Ozymandias, King of Kings; Look on my Works, ye Mighty, and despair!