Roger Kimball

Roger Kimball

Roger Kimball is a US columnist for The Spectator, the publisher of Encounter Books and the editor and publisher of the New Criterion.

The media believes that Macron’s visit was a Gallic triumph and a blow for Trump. That’s wrong.

From our US edition

Absorbing the handholding—we were not party to anything so standoffish as handshakes here—the kisses, and the hugs, I thought of Paradise Lost: “They hand in hand with wand’ring steps and slow,/ Through DC took their solitary way.” I quote from memory. Macron and Trump, Donald and Emmanuel: the state visit was nothing if not a bromance, at least … Read more

Why the Democrats won’t win big in November

From our US edition

Is a big blue Democratic wave poised to sweep the Republicans out of Congress in the 2018 mid-term election?  To listen to much of the media, you might think so. A couple of weeks ago, the Washington Post quoted Nate Silver, the Yoda of Dem pollsters, who suggested that the “Democratic wave in 2018 may … Read more

Why John Bolton is no warmonger

From our US edition

The hysteria from the Left over Donald Trump’s appointment of John Bolton as National Security Advisor to replace Lt. General H. R. McMaster has been partly hilarious, partly alarming to behold. From The Guardian in this country to The New York Times, CNN, Slate, Salon, and beyond in the United States, we are presented with a scarecrow figure … Read more

False flag

One of the most memorable moments of the 2012 presidential debates came when the candidates were asked what they believed to be the chief national security threat facing the United States. Mitt Romney said ‘Russia’. Barack Obama thought that was ridiculous. ‘The 1980s are now calling to ask for their foreign policy back,’ Obama retorted,

Trump is working

In London last week I had the opportunity to talk about President Donald Trump with several politically mature friends. Most were sceptical, even slightly appalled, by him. It was my task to help them overcome this prejudice. I am delighted, dear reader, to attempt the same service for you. I was not always a fan.

Splendid isolation | 22 September 2007

It is not surprising that Edward Hopper (1882–1967) is an immensely popular artist. His pleasing deployment of colour and easy-going presentation of the paraphernalia of everyday life give his work an immediate warmth and likeability. His muted palette, careful modulation of hues, and soft-edged precision are a recipe for visual charm. Considered simply as aesthetic

Museum without a soul

Roger Kimball on how Yoshio Taniguchi has transformed New York’s Museum of Modern Art We are told that our individualist art has touched its limit, and its expression can go no further. That’s often been said; but if it cannot go further, it may still go elsewhere.André Malraux, The Voices of Silence ‘An institution,’ said