Rod Liddle

Rod Liddle

Rod Liddle is associate editor of The Spectator.

See this Russian hip hop star before they arrest him: Oxxxymiron’s Beauty & Ugliness reviewed

Grade: A+ I was going to review hyperpop chanteuse Charli XCX’s album this week, but it was such boring, meretricious, grandstanding 1980s retread electropop vacuity that I thought, nah, even if it is headed to the top of our ravaged charts. So have this instead. Oxxxymiron is Russia’s No. 1 hip-hop artist. Yes, Russian hip hop is indeed an oxxxymiron, much as would be Serbian reggae or Iranian gospel, but never mind. He’s a youngish Jewish bloke born in Leningrad, with a degree in Middle English from Oxford University, and is hugely popular in his home country. Is it any good, this album released late last year? It’s darker and nastier than US hip hop, full of menace and those icy synths the Russians seem to adore even more than their Iskander missiles.

What schools should be teaching

The state of Florida recently passed a piece of legislation making it illegal for teachers to hold discussions with pupils under the age of eight about gender orientation. It seemed a very reasonable idea to me and I would guess that a largeish proportion of parents in this country, perhaps even a majority, would concur. I would not wish to indulge in an unrealistically idyllic view of childhood, but my own life was certainly less complicated in the years before I suddenly realised, much in the manner of Henry Miller’s famous epiphany, that (to bowdlerise a little) girls were all in possession of cervixes and might thus be receptive to overtures of a sexual nature – or that there might be boys who for complex reasons would remain unmoved by such a revelation.

The Western Front

45 min listen

In this week’s episode: Has Putin’s invasion of Ukraine exposed the West’s weakness - or its strength?For this week, Sergey Radchenko, a Cold War historian writes about the draconian anti-war measures that Putin has imposed in Russia. He joins the podcast along with Dr Jade Glynn, a specialist in Russian memory and foreign policy at the Monterey Initiative in Russian Studies. (01:00)Also this week: has Russia’s invasion of Ukraine highlighted the hubris of the West? While Western countries unite in a chorus of criticism against Russia’s invasion of Ukraine. Rod Liddle writes that the invasion only highlights the impotence of the West. He is joined by James Forsyth, The Spectator’s political editor.

The invasion of Ukraine has exposed the West’s impotence

When the Ukrainian President, Volodymyr Zelensky, addressed the House of Commons recently, he was afforded two standing ovations from MPs, both lasting about 40 seconds, before and after he spoke. He was probably used to it, having received a similar reception when addressing the European Parliament a week before. On both occasions, then, he was engulfed by warm, moist waves of adulation and respect. On both occasions he also asked for important, difficult stuff from the people he was addressing and didn’t get any of it – just lots of applause and legislators delicately dabbing their eyes before quickly averting them.

Is global warming really more dangerous than Putin’s nuclear threats?

Having just dusted down my Geiger counter and argued with the family about whether or not there is room for our dog, Jessie, in the cellar fallout shelter, I thought I would check in with the Bulletin of the Atomic Scientists to see how long we’ve got before our recently acquired small paddock sprouts its first crop of Cobalt-60. The Bulletin of the Atomic Scientists was begun in 1945 by the physicists who, having devoted several years of their lives to the Manhattan Project, suddenly realised that their striving might not be, in the end, exclusively beneficial for the human race. As the most lionised of them, J. Robert Oppenheimer, put it at the time (without a great deal of cheer): ‘Now I am become death, destroyer of worlds.

Fabulously boring: Weather Station’s How Is It That I Should Look at the Stars reviewed

Grade: C– Anyone remember that TV advert for Canada from the 1980s – a succession of colourful images, including a delicious pink donut, downtown T.O. and soaring mountain peaks, displaying the beauty, vitality and vibrancy of the country? It made me want to visit. Wild horses wouldn’t drag me there now – that glorious, vast expanse now the sine qua non of smugness and condescension. It has become a terminally precious country and we should withdraw our ambassador, or invade (that being the fashion). Weather Station, led by the fabulously irritating Tamara Lindeman, were once okayish indie folkies who have now become pretentious, half-assed purveyors of somnambulant fake jazz, like the very worst of Joni Mitchell without the melodies or ability.

Has Putin saved Boris?

It was with some relief that I heard that Labour’s Diane Abbott was opposed to the Russian invasion of Croatia, because you cannot always tell with the far left what way they are going to swing. The Stop the War mob, along with 11 serving Labour MPs, have been anxious to exonerate Vladimir Putin and, in the usual fashion, blame the West. Their Russophilia has easily survived the end of communism and the transformation of Russia into a fascist state. But Croatia presents additional problems for lefties – and I know many former communists who will not visit Croatia because of the role of the Ustase during the second world war: their loss, in my opinion, as it is a beautiful country full of people who wish they were Austrians, which is a noble aspiration.

Too neat but it has hooks aplenty: Avril Lavigne’s Love Sux reviewed

Grade: B Yay, life just gets better and better. World War Three and now this. More petulant popcorn pre-school punk in which Avril spells words stupidly and tells ‘bois’ how much she weally, weally hates them but acksherly weally loves them. This was momentarily captivating on the magnificently catty glam-rock thrash of ‘Girlfriend’ 15 years ago. Trouble is, Avril is now 37, older than the Prime Minister of Finland – and there’s something a little unbecoming in a mature woman still hanging around the school bike sheds and shrieking at those bois: ‘When I think of you I wanna throw up!’ Shouldn’t she be writing about pre-nups, the onset of the menopause and the spiralling cost of divorce lawyers?

Will Holly Willoughby stop the war in Ukraine?

I assume that Vladimir Putin will now rapidly withdraw his forces from Ukraine given the recent interventions of Holly Willoughby, Peter Andre and – perhaps most tellingly of all – Kerry Katona.  Still more pressure has been brought to bear on the beleaguered President as Sean Penn has arrived in Ukraine to film a no-doubt searing documentary.  Meanwhile in the UK thousands of ordinary people have made it absolutely clear, by adopting the Ukrainian flag on their social media sites and also putting out tea lights, that Putin must mend his ways. What would you do if you were Putin? Resign right now? Or simply sue for peace, apologising as you did so. After all it’s what Harry and Meghan want. This is all we really have to give to the Ukrainians.

In defence of Shakespeare

My most important new year’s resolution was cast aside this week. I had vowed that in 2022 I would eschew writing about the infinite idiocies of the woke and concentrate instead on bringing to light important, worthy causes. In other words, it was a pledge to make the world a better place, instead of just moaning. Wednesday gave me an excellent opportunity to put this plan of mine into action, because it was ‘World Spay Day’. A group of animal rights charities had come together to nominate this day in order to raise awareness about the many, many millions of cats in the world that need spaying.

We blew our chance to befriend Putin

You have the advantage over me. It may be that you are reading this now in your makeshift fallout shelter, hair falling out and bleeding from the gums as the nuclear winter descends. More likely you are saying, rather smugly, to your neighbour: ‘I knew he was taking the piss. He’s a right one, that Putin.’ Or perhaps Vlad’s forces are already in London, having swept through western Europe in about eight hours, the Germans for once outdoing the French with their alacrity to surrender. Well, that should see an end to Stonewall and the Tavistock Clinic, no? Every cloud, etc.

Pretty astonishing: Black Country, New Road’s Ants From Up There reviewed

Grade: A+ It is not true, fellow boomers, that there is nothing new under the sun nor no good new music being made. Just almost nothing new and almost nothing good. The majority is indeed toxic landfill, rehashes of that least appealing of decades, the 1980s, and performed by pasty-faced, limp-wristed, deluded woke idiots whose chief concern is to tell you their gender. But there are yet pockets of brilliance, just as there were in 1975 and 1995 — and this youngish Cambridge band (the only other place they could have come from is Oxford) inhabit one of those pockets. Upon completion of this, their second album, the lead singer Isaac Wood left the band because, so far as I could tell from his confused message on the band’s website, he was going round the bend.

Nicola Sturgeon’s last laugh

I was delighted to discover that the University of Bristol has been advising students how to address those who identify as ‘catgender’. These are people who ‘strongly identify with cats’ or may have ‘delusions relating to being a cat’. Apparently these individuals ‘may use nya/nyan pronouns’. Nya is the Japanese word for ‘miaow’. I am not sure why they should use the Japanese word for miaow, rather than our own perfectly good word, although I understand that a lot of young people are very interested in certain aspects of Japanese culture, such as anime and manga (although not other aspects of Japanese culture such as discipline, deference and fortitude). Perhaps this is where they have got it from, then.

Boris will never recover from partygate

When a political party is hit by a crisis, the tendency these days is for both the politicians and their supporters to pretend that there isn’t a crisis at all, hunker down inside a comfortable state of denial and blame it all on a hostile media. To a degree, this has always happened — but social media has unquestionably exacerbated the process, to the extent that at any one moment a vast number of people are living under a bizarre delusion from which only much later do they emerge blinking into the sunlight. The polarising effect of social media and its echo--chamber properties have led to it becoming little more than a vast conduit for confirmation bias, and this informs the way in which politicians react to crises.

Has the whiff of Spinal Tap: Jethro Tull’s The Zealot Gene reviewed

Grade: C+   I bought the ‘seminal’ Jethro Tull double album Thick as a Brick from a secondhand shop when I was nearing my 13th birthday. I played it once and then wrote off the £1.85 of my pocket money with buyer’s grave remorse. Sometimes, when the yearning for that much better decade, the 1970s, overwhelms me I take it out of my vinyl collection as a salutary corrective: remember those ten years also gave us Baader-Meinhof, Idi Amin, the IRA and Jethro Tull. If folkish prog is on offer, I prefer the Strawbs, even if Dave Cousins is clearly a lot dimmer than Jethro’s idiosyncratic and likeable Ian Anderson. The Strawbs had one or two songs, though. Jethro had just one: ‘Life is a Long Song’, with its affected vocals. And its bloody flute.

The freedom to be wrong

I must offer my support to Luke Main and Dr Joanna Brunker, who as a consequence of their fervent Christian beliefs refused to sell their house in Surrey to a gay couple. It shows a certain principle, no? I recently sold my house in Kent and being a Christian should really have made a similar sort of stipulation — but the truth is that such is my avarice I’d have flogged the property to the campest old queen in the country if he’d offered a few quid over the asking price. As it happens, we did discriminate against some potential purchasers, by taking against them because they were down from London, or neurotic, or had loathsome children. But then I believe the law allows one to do that.

The BBC is trapped in its own smug bubble

An incalculable number of trees have been hewn down recently in order to provide paper for people writing lengthy, largely admiring books about the BBC. There have been at least five since Charlotte Higgins’s eloquent but slightly eccentric study This New Noise in 2018, including The War Against the BBC by Patrick Barwise and Peter York and The BBC: Myth of a Public Service by Tom Mills. I suppose it would be both cruel and facile to suggest that ending the licence fee might turn out to be the UK’s greatest contribution to reducing global warming. David Hendy’s offering is subtitled ‘A People’s History’, but I have no idea what that means exactly.

The true cause of the public’s anger

What Keir Starmer should have said, but didn’t, was that he had indeed drunk some beer in a frowsy Labour party constituency office, but that he had not remotely enjoyed it. This would have had the advantage of being true, for a start: even through the blurred window you can see the Labour leader’s face etched in misery as he shares a comradely pint with some typical party activists — Roz Harridan, Loretta (formerly Dave) Spart and bum-fluff Oli from the youth wing — in Durham. Thing is, I remember having drinks with comrades when I was in the Labour party and they were never much fun, just tiresome evenings in which everyone tried to out-pious each other. No ribald jokes (such as ‘Why did the feminist cross the road?

The truth about that No. 10 party

People seem surprised and a little doubting that the Prime Minister is incapable of remembering if he attended a party in his own back garden in May 2020. It does not come as much of a shock to me, seeing as he has difficulty remembering how many children he has. Beneath that albino mop resides a brain comprising plasma in a perpetual turbulent flux, like you get in one of those tokamaks used in the pursuit of nuclear fusion energy. Except Boris’s brain does not have the correct-strength magnets to hold it all in place, just a skull. As a consequence he possesses no judgment and nothing in the way of principle, no capability for strategic vision and scarcely enough competence to get himself dressed of a morning.

Lovely and wistful: Neil Young and Crazy Horse’s Barn reviewed

 Grade: A I have persisted in buying everything Neil Young releases since I first heard On the Beach as a callow but pretentious 13-year-old. To tell you the truth, the past 27 years have somewhat tested this commitment. There has been a fatal laziness in the songwriting, lyrically and melodically, since 1994’s Sleeps with Angels and the preaching has become ever more tiresome. But I continued forking out in the increasingly forlorn hope that he’d turn out something if not wonderful, then at least reminiscent of wonderful things past. And for lo, the grizzled old troubadour has done exactly that. This is a subtler incarnation of Crazy Horse, helped incalculably by the presence of Nils Lofgren on flowery bar-room piano and sweet guitar.