Rod Liddle

Rod Liddle

Rod Liddle is associate editor of The Spectator.

Unmasking the truth about Covid

From our UK edition

You want some tomatoes? Come up here, we’re inundated. We’ve got a tomato mountain. That’s because nobody in the north of England eats salad vegetables, yet the government keeps sending up vast lorry-loads of the stuff to stop us dying of diabetes. So much of what we were forbidden to say about Covid has turned out to have had considerable substance It’s an actual fact that nobody who lives north of Stamford, Lincs, has ever knowingly eaten cucumber. I watch the northerners sometimes in the Tesco at Chester-le-Street, shuffling hurriedly past the vegetable section, eyes averted, nervous lest a pak choi reach out and grab them.

Cancel the Vikings

From our UK edition

A little late in the day, perhaps, it has been pointed out to the intellectual colossi of South Tyneside Council that the Vikings may have been a bit right-of-centre and therefore ripe for a spot of cancelling. There is a statue, you see, of a couple of these marauding Norsemen outside a shopping centre in Jarrow. They are fat, hairy and possessed of aggressive facial expressions. Check out the queue at the nearby Greggs and it is as if that statue had somehow come to life, or a sort of life. The apple hasn’t fallen very far from the tree on Tyneside.

The electorate’s strange sense of entitlement

From our UK edition

How are you coping during this cost- of-living crisis? Have you made your way to the food bank yet? I am interested to find out. On Tuesday I listened to an edition of Radio 4’s You and Yours for which listeners were invited to call in and explain how they were managing in these desperately bleak times. A good dozen or so shared their experiences with the presenter Winifred Robinson – and all but one dutifully explained that they were about to embark on a nice holiday. Further, of those going away for a bit, all but two were taking a holiday abroad – the Algarve, Benidorm, Catalonia were some of the places mentioned. One woman complaining of penury was taking at least two trips – the first to the Galapagos Islands and the other to Japan.

‘Truth’ is not subjective

From our UK edition

Once upon a time, a fox with a large bushy tail and a disingenuous smile changed his name from Reynard to ‘Chicken Little’ and applied for a post in a local hen coop. During the interview for the position, which was conducted by members of the Scottish National party, he wore red plastic wattles, which he had won in a Christmas cracker, sellotaped to his chin – although he needn’t have done so. Simply to identify as a chicken was more than enough for the thick-as-mince panel members.

Nursery-level music: Sam Smith’s Gloria reviewed

From our UK edition

Grade: D Yes, it’s porky Sam from Essex, with his body issues and his complex gender pronouns and his endless narcissistic banalities, his depthless self-importance. This is Smith’s fourth studio album in a career that seems to be nosing a little downhill, mercifully – although it will still sell by the million worldwide. He has recently decided he is genderqueer, rather than just gay. He says he feels like a woman. Me too, mate – but what’s a boy to do? The good things? Just one. He has a pleasant and flexible tenor voice which, when unadulterated, is capable of carrying a tune – if there were, y’know, tunes. And that’s it.

The Tories’ poisonous culture wars

From our UK edition

Aretha Franklin’s 1967 hit ‘(You Make Me Feel Like) A Natural Woman’ should be removed from the music streaming network Spotify because it perpetuates anti-trans stereotypes, according to a whole bunch of alphabet people with too much time on their hands. The spearhead of this attack on the Queen of Soul’s famous hit is a Norwegian group called the Trans Cultural Mindfulness Alliance (TCMA), who you may not have heard of but with whom I’m sure you’d get on just fine. There is no such thing as a ‘natural woman’, you see. Quite why they picked this particular song is moot because almost every pop song ever released similarly perpetuates anti-trans stereotypes, apart from maybe ‘Festering Pus’ by Rancid Hell Spawn.

Everything in Britain is broken

From our UK edition

It is rare to find an example of public art which one can applaud, unequivocally, but I think I have found one in London. The educational group Black Blossoms is running a series of lectures as part of the Art on the Underground scheme making the case that – as I had long suspected – photography is racist. This is true of colour photography (can we not find a different name for that!) just as it is for monochrome photography, in which black is the domain of shadows, the dark and what we might call ‘otherness’. The history of photography is rooted in white supremacy and subjugation, according to Black Blossoms, and it needs decolonising, sharpish. Quite right – and it is the job of all of us to swing the wrecking ball.

Gobbets of bile and hard-bitten wisdom: Iggy Pop’s Every Loser reviewed

From our UK edition

Grade: A– James Newell Osterberg Jnr’s unexpected and unwarranted longevity on this planet has conferred upon him the status of irascible, but very loveable, grandfather of punk: it suits him just fine. A delightful contrarian in a profession otherwise staffed by vapid, guileless, liberals – Iggy actually meant it when he sang ‘I’m a Conservative’ – Iggy now sprays the profanities around with abandon while delivering gobbets of bile and occasionally hard-bitten wisdom in the direction of yoof. Which, given Iggy is now 75, means pretty much everyone. This album veers between the addled late-1970s pop rock of The Idiot and Lust for Life and the scabrous metal raunch of his earlier incarnation with the Stooges.

Help me, I’m Scottish

From our UK edition

I did not enjoy the Christmas festivities this year: I sang no carols, ate no turkey and failed to watch It’s a Wonderful Life. There were two reasons. First, I received my DNA heritage results from a company I’d bunged £100 or so back in the autumn. My family had been greatly looking forward to this event, hoping for a revelation that I was part Igbo or Hausa or, better still, related somehow to the unfriendly pygmies of the western mountains in Papua New Guinea. Meanwhile I was hoping to be 90 per cent English with the remaining 10 per cent Danish, as I have often considered myself to be distantly related to the Viking hero Ragnar Lodbrok, which may account for my political disposition.

A world of our own making

From our UK edition

Two very brief excerpts from Radio 4 last week. First, my wife turned on her radio in time to hear an actor in the afternoon play utter the words: ‘But Bob, you’ve been helping young disadvantaged black kids all your life!’ At which point, she turned off. Two days later I switched on my car radio and the display announced a ‘radical updating of Oliver Twist’ and I had just enough time to hear an actor say something like: ‘Quick, come quick! Babatunde has been shot in de leg by de gangs!’ before I too turned off. They are nothing if not psychotically obsessive at Radio 4, I think. It is worth tuning in for three seconds every few hours at random just to see what gratuitous wokery they are spraying in our direction – before switching over to something else, anything else.

A cute present for aficionados: The Beach Boys’ Sail on Sailor – 1972 reviewed

From our UK edition

Grade: B+ By the time the 1970s had come along – post Altamont and post hope – the Beach Boys were tired of being beach boys and thus became, for a while, just another rather mediocre rawk band. The two albums they released in the first three years of the decade, Carl and the Passions – ‘So Tough’ and Holland, dispensed (largely) with those sumptuous harmonies and the simplicity of teenage anthems to God and gave us unconvincing blue-eyed soul and tinny R&B. Of those two albums, only the lovely ‘Marcella’ (where those harmonies come back) and the commendably ludicrous ‘All This is That’are worth shelling out your hard-earned pennies.

The march of the local council dictators

From our UK edition

I was impressed with the passion Sir Keir Starmer managed to whip up within himself when presenting Gordon Brown’s interminable plans for constitutional reform to the British people. He almost sounded engaged with the project. Apparently Gordon has been beavering away, working by the light of a low-wattage electric candle, at this stuff for a couple of years – but frankly, all anyone took from it is that Labour plans to abolish the House of Lords and devolve lots of powers to ‘the regions’. Remarkable, isn’t it?

I’m very touched that Christine and the Queens has changed her name to Redcar

From our UK edition

Grade: B+ We are all very touched, up here, that the esoteric French artist formerly known as Christine and the Queens has changed her name to Redcar, in honour of our once vibrant beachside steel town. Perhaps she was impressed by the newish ‘vertical pier’, or enjoyed a nutritious meal in the Light of Asia. Or, better still, maybe she is planning to adopt a whole bunch of East Cleveland nom de plumes and will next call herself Liverton Mines, or Boosebeck. She may, of course, just mean a red car. Héloîse Letissier (her born name) is very good at simple, naggingly catchy, woebegone synth pop. The simpler the better – as with 2018’s wonderful ‘Five Dollars’ which once heard will never leave your head. She is much less good at ethereal electronic art-pop.

In defence of fairy tales

From our UK edition

One by one, life’s harmless little pleasures are outlawed by an overweening, repressive government. The Online Safety Bill has been doctored by MPs to stop people making use of ‘deep fakes’. This means that my enjoyable pursuit of Photoshopping the heads of politicians I dislike onto the naked, writhing bodies of Russian porn stars and sending the resultant images, anonymously, on Christmas cards to members of the local clergy is now illegal. In future I will have to get the consent of each politician before I send them off to the vicar. I had a great one recently of Liz Truss going at it like the clappers with Mark Drakeford, the First Minister for Wales.

The truth about the World Cup

From our UK edition

You have to admire their bravery, don’t you? The stoicism with which they put up a fight in the name of principle and decency. The England football manager, Gareth Southgate, and his similarly equine captain, Harry Kane, had pledged that the latter would wear, throughout England’s World Cup campaign, a rainbow ‘One Love’ armband to show the team’s support for the LGBTQI community, despite objections from football’s governing body, Fifa. Nothing could stop them from displaying to the world their deep discomfort at the fact that the World Cup was being played in a place where homosexuality was illegal.

A course in Rod Liddle studies

From our UK edition

As someone who has always had a grotesquely inflated sense of his own importance, my experience speaking at Durham University again last week almost tipped me into fully blown, delusional megalomania. On the way to the venue a student informed me that in the big hall nearby several hundred people were crammed into a debate about whether Rod Liddle should be allowed to speak at Durham. Yes, only a matter of yards from another building where Rod Liddle was actually speaking.

What’s the point of these soul covers? Bruce Springsteen’s Only the Strong Survive reviewed

From our UK edition

Grade: B What’s the worst-ever cover version (after Madonna’s hilarious stab at ‘American Pie’)? I reckon Creedence Clearwater Revival’s interminable mangling of ‘I Heard It Through The Grapevine’, or maybe the J. Geils Band stamping over ‘Where Did Our Love Go’ in hobnail boots – two bands I otherwise adore. Jeff Beck boring his way through ‘Superstition’? The Stranglers wrecking ‘Walk on By’? All Saints ripping the guts out of ‘Lady Marmalade’? I think you catch my drift, because the lesson is pretty clear: no, really, do not play that funky music, white boy.

Advertising’s false picture

From our UK edition

An advert for jobs in the prison service has fallen foul of the Advertising Standards Authority because it portrays an ‘imbalanced power dynamic’. The poster showed a white prison guard (or ‘screw’ as I believe they are known) and a black prisoner. The ASA concluded that the advert was ‘likely to cause serious offence on the grounds of race, by reinforcing negative stereotypes about black men’. It would have been OK if the prisoner had been white. I am not sure what the views of the ASA would have been if both men had been black. The fact that both of the people in the ad were men also negatively reinforces a stereotype – that men tend to commit the most crime.

At sea: can Sunak navigate the migrant crisis?

From our UK edition

36 min listen

On this week's podcast: Can Rishi Sunak steady the ship? Patrick O'Flynn argues in his cover piece for The Spectator that the asylum system is broken. He is joined by Sunder Katwala, director of the think tank British Future, to consider what potential solutions are open to the Prime Minister to solve the small boats crisis (00:52). Also this week: Should we give Elon Musk a break? In the aftermath of his sensational purchase of Twitter, Mary Wakefield writes in defence of the tech billionaire. She is joined by James Ball, global editor of The Bureau of Investigative Journalism, to ask what his plans are for the social media platform (14:27). And finally: Ysenda Maxtone Graham writes in the magazine this week about the joy of hating the Qatar World Cup.

Cutting the links with reality

From our UK edition

It was a difficult one for the BBC, but they got through it. The problem was this: how to do the story on the chaos at the migrant centre in the former Manston airport which might result in the Home Secretary’s resignation without acknowledging that the root of the issue was a huge increase in asylum seekers? They were avid for the story because they could smell Suella Braverman’s blood on the wind. But it is, I think, contrary to BBC producer guidelines to suggest that Britain may have a problem with illegal immigration. How, then, to stick it to Braverman without implying there’s loads of Albanians flooding the country?